Category Archives: Comedy

Another Round (2020)

another round movie posterThomas Vinterberg (The Hunt, The Command) turned heads when he received his first Best Director Academy Award nomination for the little-known but well-received Another Round, the 2020 Best International Feature Film winner. There were some excellent candidates for Best Director in 2015, but Vinterberg wasn’t necessarily in that discussion.

I had this movie at the top of my queue to watch for more than six months before I finally watched it on a recent plane ride. It’s a Danish movie, and I haven’t been doing great with subtitled films in recent years, especially when watching at home. A long plane ride was the perfect opportunity to focus on my laptop with some headphones on. The movie earned 92% from critics and 90% from audiences on Rotten Tomatoes. Those scores were both pretty high. Another Round, while original, was nothing special. It wasn’t so much that it was uninteresting. It just wasn’t memorable. It also had numerous things that could have been improved, including plenty of continuity questions. I don’t doubt that there were many international films from 2020 and that this one received much of its acclaim and fanfare because of its director and lead actor.

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Palm Springs (2020)

Palm Springs, starring Andy Samberg (NBC’s Brooklyn 99, Saturday Night Live) and Cristin Milioti (The Wolf of Wall Street, It Had to Be You), was exactly the comedy movie we needed during the summer of 2020. In a year with very few comedies (Borat Subsequent Movie will likely be the most memorable), this was a fun, unique movie that I’m sure would have broken up a dreadful summer. The problem was that theaters were mostly closed when this movie was released.

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American Psycho (2000)

My recent apparent 2020 trend of alternating between Christian Bale, Denzel Washington, and Russell Crowe movies continues with my review of Mary Harron’s 2000 cult classic American Psycho. In his first lead role, this film introduced an experienced but still grossly undiscovered Bale (The Fighter, Ford v Ferrari) to the screen.

American Psycho seems like a movie that most people have seen. If you haven’t seen it, you’ve at least heard of it. I’ve seen it three or four times, and each time, I think I end up liking it more than the time before. And that’s not saying a lot because I wouldn’t say I liked it the first time I saw it and got upset with myself for watching it every four or five years. I want it to be good. It’s just not. The main reason is that it is too obscure. I’m not too fond of zany or batty. I also sometimes like everything laid out before me, so I don’t have to think. American Psycho makes you think, but you have to think too hard, and then you wonder whether what you thought was correct or not anywhere close to what Harron intended.

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Late Night (2019)

Nisha Ganatra (The High Note) tries a tried-and-true formula with a slight twist in Late Night. The Emma Thompson (Howard’s End, Sense and Sensibility) dramedy focuses on her career as an acclaimed late-night talk show host who may be nearing the end of her career after plummeting ratings in recent months/years. Flanked by an all-white male writing staff, Katherine Newberry’s (Thompson) material has become predictably stale.

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Parasite (2019)

It’s hard to classify or compare Bong Joon Ho’s (Snowpiercer, Okja) Parasite to any other movie I’ve ever seen. From the first frame until the last, it comes together as a unique film that reminded me of Get Out and A Quiet Place in the sense that you know you are seeing something extraordinary and something that you have no idea where it comes from or where it’s going. These three movies are entirely different but follow the same formula of capturing your audience in the first scene and never giving them a chance to spin out of the web you hope you are creating for them.

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