Sometimes when someone is describing a movie to someone who might be on the fence about it, they might say something like, “Yes, it’s a kids’ movie, but it’s made for adults. So much of the humor will go straight over a child’s head.” This rarely, if ever, works and can be a terrible tactic. Yet, here I find myself again writing a review for a movie that I knew I was not going to enjoy (though I knew I would see it regardless because of the hype, favorable review, and gnawing curiosity) under the pretense that the movie was made for me when it was not. However, that was not the half of it. With most animated films, children are likely to be entertained and understand the story, even if that story parallels an overarching story intended more to reach adults. Greta Gerwig’s (Lady Bird, Little Women) Barbie had all the shininess of Mattel’s most iconic toy and was often shot in such a simplistic way that it felt like it was perhaps aimed toward children, but this was not a kids’ movie. Its clever and ubiquitous marketing campaign seemed more interested in selling out as many theaters as possible for as long as possible before revealing its plot. It did work. The film grossed over $150 million domestically in its first three days. To the film’s credit, it was a PG-13 film, though I bought into the intrigue so much that I hadn’t even looked at the rating until I left the theater.
Category Archives: Drama
Zodiac (2007)
Jake Gyllenhaal (Nightcrawler, Stronger) makes every movie he is in better than it would otherwise be, regardless of it it’s a great movie, a terrible movie, or anything in between. Director David Fincher (Se7en, The Social Network) doesn’t make bad films. With Gyllenhaal and Fincher together, along with an ensemble that includes Robert Downey Jr. (Iron Man 3, Natural Born Killers), Mark Ruffalo (Foxcatcher, Spotlight), Anthony Edwards (Top Gun, NBC’s ER), Dermot Mulroney (My Best Friend’s Wedding, Young Guns), Brian Cox, (The Ring, HBO’s Succession), and John Carroll Lynch (The Trial of the Chicago 7, Jackie), Zodiac was bound for success. While the film connected on all fronts, it felt like it left something to be desired, though this would undoubtedly be true for anyone familiar with the story.
Requiem for a Dream (2000)
One of the most recognizable and influential films about substance abuse in cinema history is Darren Aronofsky’s (Black Swan, The Wrestler) revolutionary cult classic Requiem for a Dream. While this movie certainly is not for everyone, it ages very well. Much like films such as Eternal Sunshine of the Spotless Mind or Fight Club, this one deserves a second chance for those who might have dismissed it after a first watch. This is especially true in today’s times when drug abuse is as rampant as it is, with too many people dying because what they are purchasing and inserting into their bodies is often laced with substances unbeknown to them.
Past Lives (2023)
The most intimate and tender movie of the first half of 2013 will land on the end-of-year top ten list for many. Past Lives, Celine Song’s feature debut, is a masterclass in storytelling, character development, and the subtle intricacies that subversive themselves in big and small relationships. Past Lives will undoubtedly be recognized during awards season, even with a nontraditional early summer release date.
Cole (2009)
I remember surfing the cable channels one night in the early 2010s when I came across a quaint little movie about an aspiring writer and his attempts to overcome family adversity and escape from the mundane life he felt destined to live. The film was Carl Bessai’s coming-of-age Cole. I remember liking this movie so much that I tried diligently year after year to find a way to add it to my DVD collection. Not only did the task feel impossible, I couldn’t even find a way to rewatch it. It wasn’t available on Netflix or Amazon Prime. Most of the other common streaming services had yet to be established. As my goal is to own the DVD of my top ten favorite movies of each year, I was determined to find this missing piece to complete my 2009 collection. When I randomly found it on Amazon Prime in 2023, I wasted no time renting it. It turns out I would have been better served not seeing the film a second time. Not only has it not aged well, Cole is not nearly as good as I remembered it.