Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts, but with deep flaws that prohibit his characters from achieving greatness. Whether it be his quick Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts but with deep flaws that prohibit these characters from achieving greatness. Whether it be his quick temper, drinking, or lack of ambition in Blue Valentine, his unbelievably extreme case of social anxiety in Lars and the Real Girl, or his much too overly confident posture in Fracture, Gosling plays characters that you root for at one moment and sympathize with the next. At the same time, you are trying to figure out how he gets so entrenched in each of his roles. If you have not seen any of the movies mentioned above, do so. You’ll be in for a treat. If you want to see his best performance to date, check out Ryan Fleck’s (Sugar, It’s Kind of a Funny Story) highly under-appreciated Half Nelson. Now, I say highly under-appreciated loosely. Half Nelson has received a 90% fresh rating on Rotten Tomatoes but only $2.6 million at the box office, a somewhat disappointing number.
Category Archives: Drama
Eastern Promises (2007)
Eastern Promises was David Cronenberg’s follow-up to his critically acclaimed breakout directorial hit, 2005’s A History of Violence. A History of Violence was a bit overrated, and William Hurt receiving a Best Supporting Actor Academy Award nomination for his ten minutes of screen time was a bit of a joke. However, Viggo Mortenson was terrific in his role in that movie, and his work in Eastern Promises is stellar.
The American (2010)
The American starring George Clooney (Michael Clayton, Up In The Air) was a movie I wanted to love but never really did. Clooney is a fantastic actor, but his films, at least to me, are hit or miss. Over the span of a couple of months in 2009, I watched both Michael Clayton and Up In The Air, and these proved to be two favorite films of his EASILY. I thought the days of Leatherheads, Burn After Reading, and The Men Who Stare at Goats were behind him. There certainly is an audience for these last three movies, judging by their modest box office revenue and mixed reviews, but I am not a part of that audience. I much prefer his action movies (Out of Sight), his adventure movies (The Perfect Storm), his smart comedy/dramas (Oceans 11), or films like Michael Clayton and Up In The Air, which are both as close to perfect as movies to get.
The Company Men (2010)
In August of 2010, I made a list of the movies I had to see before the end of the year after reading Entertainment Weekly’s Fall/Winter movie preview edition. I ranked 15 films in order. #1 was Ben Affleck’s The Town, which has turned out to be my favorite movie (as of 2011). #2 was Buried, which starred Ryan Reynolds. This movie, which I did not see in the theatre, was one of the biggest wastes of two hours of my life. And #3 was The Company Men, which starred 4 Academy Award winners. The release date of The Company Men kept getting pushed back further and further, and while its limited release date was in very late December, the vast majority didn’t have a chance to see it until 2011. By then, my list had changed based on the Oscar Buzz and the lukewarm reviews of The Company Men. I finally was able to check the movie out on Netflix. Based on the film I had seen since my initial list, The Company Men would have still made the top 15, but it would have been closer to the 12-15 range rather than the 1-3 range. To further digress into my poor list, Little Fockers was #4, Unstoppable #5, and The American #6. The movies I liked most were The Social Network (initially #7) and Blue Valentine (initially #8). The Fighter (initially #10), 127 Hours (initially #11), Love & Other Drugs (initially #13), as well as True Grit, Rabbit Hole, Black Swan, and The King’s Speech (both of which I did not even rank).
Crazy Heart (2009)
Roger Ebert said it best in his review of Crazy Heart about lead actor Jeff Bridges’ performance when he said, “The notion of a broke-down, boozy country singer is an archetype in pop culture. We’ve seen this story before. The difference is, Bad Blake makes us believe it happened to him.” It’s such a simple statement, but so true. Bridges (Tron, The Big Lebowski) gives the performance of his legendary career and, rightfully so, his first Academy Award win. He is the highlight of a very good, albeit flawed, movie.