Ray, it is not. Walk the Line, it is not. Straight Out of Compton, it is not. Bohemian Rhapsody it is not. Baz Luhrmann’s Elvis (Moulin Rouge, The Great Gatsby) is slightly better than the disappointing Rocketman. The highly-anticipated Austin Butler-led (Once Upon a Time… In Hollywood, The Bling Ring) biopic had lofty expectations, considering that it was the one that the Presley family agreed was the true reckoning of Elvis’s life and legacy. While engaging for its lengthy 159-minute run-time, the film often felt disjointed and needed direction. With its shifting narrative, viewers often wondered if this movie was about Elvis Presley or more about Colonel Tom Parker (Tom Hanks –Captain Phillips, Sully), his deceitful, longtime manager.
Category Archives: Drama
Three Colors: Blue (1993)
Blue is the first in Polish-born Krzysztof Kieslowski’s (The Double Life of Veronique, No End) three-part trilogy, aptly named Red, White, and Blue. While showing very little connection and not intended to be watched in any particular order, Blue (1993) had a release date before White (1994) and Red (1994). Blue also features the most recognized actor (Juliette Binoche – The English Patient, Chocolat). So, either on its own was enough to start with Blue. Together, it was a no-brainer.
Breaking (2022)
Abi Damaris Corbin’s quiet feature debut, Breaking, is a movie that does everything Nick Cassavetes’s disaster John Q failed to do when it managed to make $71 million domestically in 2002. Of all the things Denzel Washington has saved in his movies (subways, jets, submarines, locomotive trains), holding up a hospital and forcing a doctor to perform life-saving surgery on his son was, by far, his worst. Unfortunately, Washington’s always-solid performance couldn’t save an absurd script based on a ridiculous presence. The based-on-a-true-story Breaking offers breakout performances by Corbin and the film’s lead, John Boyega (Detroit, The Woman King), most notably recognized for his role as Finn in the latest Star Wars movies.
Beast (2022)
What was that 2022-released movie about some terrifying, highly intelligent entity that identified and hunted its targets in a way that was anything but human? It might have been called Prey. Wait, maybe it was called Beast. Correct. Both movies (each with an equally unmemorable name) revolved loosely around the same premise. The studios of each movie didn’t do each other any favors with what they could have done, if anything, with the release date. Each film is worth a watch, though I wonder if a home viewing would translate to the enjoyment of a theater viewing. Each was designed to be seen on the largest screen possible.
Top Gun: Maverick (2022)
There is a moment between the previews and the opening credits of Top Gun: Maverick where Tom Cruise appears as himself, seated in a director’s chair, and welcomes the audience to the film. This is not the first time a film’s lead actor has welcomed an audience and thanked them for coming since the Coronavirus Pandemic began in March 2020. John Krasinski famously did this in the spring of 2021 before the much-delayed A Quiet Place Part II, arguably the biggest and most anticipated movie (with all due respect to Tenet) that made its return to a wide-release audience.