Black Mass? More like Black Mess. This movie was not just a story that most of us could care less about, but it’s boring. It reminded me of American Hustle in that it was set in the same time period; it had a fantastic cast and, most importantly, the high expectations coming into it. I wouldn’t say that this movie was as disappointing because it didn’t have the Oscar expectations going into it as American Hustle did. Nonetheless, like the Christian Bale-led movie, I expected big things from this Johnny (Finding Neverland, Chocolat) endeavor. I don’t know if this movie was trying to be a combination of The Godfather/The Departed/Public Enemies and others, but it didn’t succeed outside of making Depp look like an old Jack Nicholson. I liked seeing Depp outside of the quirky roles he has been performing in as of late. And while he was pretty good, I did feel like the movie was brought down, in part, to how boring his character was. Unlike American Hustle, in which the performances were good (yet still overrated), the performances in Black Mass were flat. A terrific cast is wasted here. It is a disappointing movie in every sense of the word.
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Category Archives: Drama
Two Days, One Night (2014)
While I am not the biggest fan of foreign language films, I am the first to admit that when a foreign movie is excellent, you get to the point where you don’t even notice you are reading subtitles anymore. You become so gripped by the film that it’s not just a great foreign film you are watching…but rather it’s a great film. However, on the flip side, when a foreign film is terrible, it tends to drag and drag and drag. I think part of that reason is that you’ve tuned out the movie so much that you have no idea where you are in the film when you do glance back. As a result, it becomes a dreadful movie experience. I feel that almost all foreign films I watch are based on recommendations. Rarely will I be perusing Netflix and seeing a movie and adding it to my queue because it’s a “foreign movie.” I am far more likely to eliminate a film in subtitles than I am to entertain it. As a result, I rarely find a foreign film to be mediocre. I usually end up either liking the movie a ton of feeling like I just wasted two hours of my life. There are, of course, exceptions to the rule, and that is exactly what Two Days, One Night is. It is a movie that is mediocre in every sense. It had nothing to do with it being a foreign film. Had it not had subtitles, it would have been equally mediocre.
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Straight Outta Compton (2015)
Straight outta Compton and straight into the Oscar buzz. It’s early, and I guess this movie is forgotten about come Halloween time (just like most of the great films released in the first eight or nine months of each year are). Still, for right now, this movie is hot with audiences (over $100 million grossed after eight days) and critics (89% fresh on Rotten Tomatoes) as just about any other movie of the year. As I will explain in my review below, Straight Outta Compton didn’t do anything (besides the music itself) that was amazing on its own, but it did do just about everything well. I wouldn’t call it the surprise hit of the year as many other movies flew much further under the radar (Ex Machina and The Gift are the two that come to mind for me). Still, it was perhaps a movie that had the potential to be very good or very bad depending on the acting, which part of the story would be told, and, most importantly, the movie’s direction. I’ll talk more about F. Gary Gray (The Negotiator, The Italian Job) later in the review, but, long story short, he nailed it. Straight Outta Compton was his most challenging work to date and his most impressive and, while I think it’s an extreme long shot based on the history of the Academy and its voting, his name could still be swirling around as a dark horse for Best Director come December.
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The Gift (2015)
Joel Edgerton’s (Warrior, Exodus: Gods and Kings) The Gift is easily the surprise hit of the summer. Creepy and suspenseful, this movie is a clinic on developing characters and entrenching viewers fully into the storyline. I saw the film in a probably 75% full theater, and you could hear a pin drop during the film’s quieter moments. Everyone was all-in on the story, and nobody seemed to know where it was headed because of the oohs and aahs at each new twist. Based on its 93% fresh rating on Rotten Tomatoes, I did not doubt this movie would be good. However, I did not watch a preview beforehand (purposefully), nor did I know anything about the film other than when somebody said the night before my viewing that they heard it had a crazy twist. Therefore, before I get into my review, I would suggest stopping reading and avoiding as much reading or trailer-watching as possible about the film. Long story short, see the movie.
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Lions for Lambs (2007)
I think when I first saw the trailers for director Robert Redford’s (Quiz Show, A River Runs Through It) Lions for Lambs, I thought it was a movie I had to see. The previews made the film look exciting, and it was loaded with A-list actors. Well, when the commercials for the movie became 15-second clips after the first week and the movie scored a whopping 27% fresh on Rotten Tomatoes, the need to see it quickly waned. The movie earned just $15 million at the box office. Box office earnings don’t necessarily represent the quality of a film, but this movie hoped to garner a lot of money. While the production costs of this movie were low (I’ll explain below), stars like Meryl Streep and Tom Cruise commanded high-dollar figures for their appearances. This wasn’t a little indie movie. MGM produced this movie. On top of a film that was received so poorly by critics was a plot (stories about the war in the Middle East, especially political-driven ones) that had consistently kept moviegoers away back in the early 2000s. Lions for Lambs was a decent movie, but certainly not a great one. And it was by no means as exciting and as drama-filled as the trailers portrayed it to be. Lions for Lambs is a dialogue-driven movie and one that succeeds because it was chalked full of such great actors.
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