A decade before Alfonso Cuaron (Gravity, Roma) was winning Oscars for Best Director, he directed the critically acclaimed and now cult classic Children of Men, a post-apocalyptic thriller set in 2027 Britain. In this dystopian world, it has been 18 years since the most recent human has been born. Humans have become incapable of reproducing for reasons unknown, resulting in a global fear that the extinction of our species is imminent. England is now the one remaining civilized society on the entire planet, making it a place where everyone can immigrate. The borders are strong, but people still illegally enter. Those caught are promptly placed into refugee camps. While this scenario may seem completely foreign to many of us, it should be a fear in our minds that lawlessness is entirely possible, and situations like these are already happening (though not globally) in many of our smaller countries that cannot defend themselves.
Category Archives: Genre
Honey Boy (2019)
Ruthless, raw, and honest. That describes to a tee Alma Har’el (LoveTrue, 11/8/16) Honey Boy, the film based on writer Shai LaBeouf’s (The Peanut Butter Falcon, Borg Vs. McEnroe) own childhood experiences with his father. Showcasing events over two time periods, the 2005 version of Otis Lort (Lucas Hedges – Manchester by the Sea, Ben Is Back) is a 22-year-old, rising movie star who has had violent, alcohol-induced brushes with the law. His latest DUI has landed him in a court-ordered rehab, where he is diagnosed with Post Traumatic Stress Disorder (PTSD), something which he steadily denies. As part of his therapy, he is pressed by his counselor (Laura San Giacomo – Havoc, Sex, Lies, and Videotape) to dig deeper and pen out the events in his life that have led him to this point. At this point, we continually go back and forth between the 1995 and 2005 timelines.
Light of My Life (2019)
When you begin watching Light of My Life, you might feel like you’ve seen this movie before, or at least a variation of it. If you are like me, you’ll feel like this is a mixture of The Road meets Leave No Trace meets A Quiet Place meets Children of Men. After reading several different reviews, many other critics have a similar sentiment. Somewhere in the not-too-distant future, we are in a post-apocalyptic world where something horrific has already happened, and we are left with inventive survivors who are left to pick up the pieces and make a semblance of their new lives. In these types of movies, we learn that what has happened to get us to this point will slowly be revealed throughout the movie, often through flashbacks, one of the tools used in this Casey Affleck-directed film.
Late Night (2019)
Nisha Ganatra (The High Note) tries a formula that’s been tried and true with a slightly different spin in Late Night. The Emma Thompson (Howard’s End, Sense and Sensibility) dramedy focuses on her career as an acclaimed late-night talk show host who might be on the tail end of her career after plummeting ratings in recent months/years. Flanked by an all-white male staff of writers, Katherine Newberry’s (Thompson) material has become predictably stale.
Harriet (2019)
Harriet Tubman. What a legendary American. We all studied her in elementary school and then again in high school. We know that she was born into slavery, escaped, and was an integral leader in the Underground Railroad that helped free slaves before the United States Civil War. Cynthia Erivo (Widows, Bad Times at the El Royale) pours her heart and soul into the title role and makes Kasi Lemmons’ (Eve’s Bayou, Talk to Me) Harriet a must-see for anyone over twelve. It is the first time Tubman’s story has been captured in biopic form. This film is so well told that it won’t need to be retold (in big production film form) for a long time. It’s one of the best history lessons you could hope to have on another person. It’s brutally honest. It doesn’t drag its feet. It’s entertaining. It brings to the big screen a real-life American hero who deserves all the fame and glory she is due. Harriet is a 2019 big, big win.