Of all of the movies that have been released since the start of the March 2020 COVID-19 pandemic, Army of the Dead is the one that I Of all the films released since the start of the March 2020 COVID-19 pandemic, Army of the Dead is the one I watched at home that I most wished I had seen in the theater. As I watch this movie a week ahead of A Quiet Place 2 (a movie that should truly signify a return to the movie theaters), I almost wish I hadn’t had the option to watch Zack Snyder’s (Batman v Superman: Dawn of Justice, 300) on Netflix. I intended to go to the theater this weekend to see this film, only to see it sitting there as an option to stream with my Netflix subscription. It was both a blessing and a curse. Free is excellent, as is the ability to play and pause a movie as you see fit. But it is hard to beat the in-theater experience of a film that is supposed to be watched on the big screen.
Category Archives: Post-Apocalyptic
Children of Men (2007)
A decade before Alfonso Cuaron (Gravity, Roma) was winning Oscars for Best Director, he directed the critically acclaimed and now cult classic Children of Men, a post-apocalyptic thriller set in 2027 Britain. In this dystopian world, it has been 18 years since the most recent human has been born. Humans have become incapable of reproducing for reasons unknown, resulting in a global fear that the extinction of our species is imminent. England is now the one remaining civilized society on the entire planet, making it a place where everyone can immigrate. The borders are strong, but people still illegally enter. Those caught are promptly placed into refugee camps. While this scenario may seem completely foreign to many of us, it should be a fear in our minds that lawlessness is entirely possible, and situations like these are already happening (though not globally) in many of our smaller countries that cannot defend themselves.
A Quiet Place (2018)
Though it is not one of the ten BEST movies of 2018 (it is just on the outside looking in), there is a place for a movie like John Krasinski’s A Quiet Place because of its originality, creepiness, and ability to keep you on the edge of your seat for its fast-flying 90 minutes. In a time when Hollywood struggles with original storylines, we find a first-time director and still novice movie star in Krasinski (NBC’s The Office, Promised Land) delivering a downright knockout punch in his debut effort. I love gritty movies. I love movies that are rich in their characters. I love movies where the tone doesn’t change from opening credits to ending credits. A Quiet Place had all of this and more, and thus, it has found a spot in my Top Ten Movies of the Year for 2018 over other movies that might have been less flawed but were also far less original.
Bird Box (2018)
A Quiet Place meets The Mist meets The Happening meets The Road meets I Am Legend (specifically with one of the alternating endings). That’s a quick and easy way to describe the effective Netflix release Bird Box. Many people will compare A Quiet Place to this film because of its proximity to release dates. I would have been upset if this was a cheap rip-off of, perhaps, the biggest surprise hit of 2018, replacing not making noise with being unable to see the change. But Bird Box is based on a 2014 debut novel of the same name by Josh Malerman, years before previews of A Quiet Place were even created. This makes the movie even more enjoyable. You get to wonder about Malerman’s inspirations rather than assuming that it was the novel he was trying to emulate.
Man Down (2016)
Continuing the two themes of actors who I once didn’t like but who, in recent films, have begun to win me over (Miles Teller), as well as films about characters suffering from Post-Traumatic Stress Disorder (PTSD) after serving in wars in the Middle East (Thank You For Your Service) comes the critically panned Man Down, a movie that I don’t ever recall being in the theatre and didn’t know existed until a good six months after it was released. Earning a score of just 17% on Rotten Tomatoes, director Dito Montiel (A Guide to Recognizing Your Saints, Fighting) delivers an emotionally disturbing, uneven film about a character traumatized by a specific incident that happened on his single tour. Man Down stars Shia LaBeouf (Lawless, Honey Boy) in what might be his finest performance to date. He stars as United States Marine Gabriel Drummer, who, after a raid and clearing of a house gone wrong in a village in Afghanistan, tells his story to Captain Peyton (Gary Oldman – Darkest Hour, The Dark Knight Rises), a military superior. The critics said that this movie exploits PTSD compared to a more subtle film like Thank You For Your Service (which also has the advantage of being based on a true story, something that Man Down lacks). While I can see that, especially in the film’s final act, I disagree. War is hell. It’s one of those things that we don’t have to experience firsthand to believe. But we need to experience or be close to someone who experienced it to understand it. When we can’t, we sometimes turn to books, television, or movies, hoping they will portray a true picture. That’s what Montiel did here, even if most of his critics disagreed.