Category Archives: Romance

Me Before You (2016)

I saw Me Before You back in 1991. It was called Dying Young, and Julia Roberts was the star. It stunk. I am entirely joking, but I promised myself I would use this as the first line of this review, regardless. The truth is I didn’t see Dying Young until 2005. That part is true, but the real truth is that these movies aren’t even in the same league. Dying Young wasn’t as poor as I thought, but I don’t remember much about it. On the other hand, Me Before You was an incredibly profound movie I will remember for years. It is also a movie that showcased Emilia Clarke’s range (HBO’s Game of Thrones) and firmly planted her as a leading actress for the next 10-15 years. The film also introduced Sam Claflin to the rest of the world, who had not seen The Hunger Games franchise, where he played the role of Finnick. Before I get into the nuts and bolts of this review, I want to state that every aspect of this tear-jerker blew me away. While it was designed to tug at our heartstrings, it felt completely authentic. It was carried by a superb performance by Clarke and backed up heavily by Claflin, who did just enough to play second fiddle. I remember seeing Brooklyn last year. Brooklyn was a movie that I adored, but I couldn’t understand it when I could hear the sniffling and see the watery eyes of all those sitting near me. In Me Before You, I understood it completely. There are a few quick and funny tidbits related to this movie that I thought I’d share:

  1. I thought this was another movie based on a Nicholas Sparks book.
  2. I kept getting this movie confused with Love & Friendship, the Jane Austin novel adapted for the big screen that came out around the same time as Me Before You. But, as I look at these two movies now, the only comparison was that I was convinced I wouldn’t see either film at the time of their release.
  3. I talked to a coworker about Me Before You, and she spoiled the movie. She told me she didn’t want to ruin it for me, but she proceeded to do just that.

She told me how the movie ended, and I didn’t stop her from doing so. It turns out she never actually saw this movie, but her cousin told her everything she then repeated to me. I look back on that conversation, and I can’t be upset that she ruined it for me because if she hadn’t broached the topic with me in the first place, I might not have seen it and almost certainly would not have seen it on the big screen. I am so glad that I saw it in the theater. It was easily the most moving movie of the first half of 2016 and one in what is now looking like a poor year that likely will hold its spot on my Top 10 Movies of 2016 list.

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Escobar: Paradise Lost (2015)

I cannot help comparing Escobar: Paradise Lost to Leonardo DiCaprio’s The Beach. There were quite a few similarities and also quite a few differences. I’ll start with the differences first. Except for The Man in the Iron Mask (which wasn’t promoted as a blockbuster), The Beach was DiCaprio’s first marketed movie since Titanic. It had a massive promotional campaign and was expected to vault DiCaprio even further as Hollywood’s next leading man. I had huge hopes for The Beach and kind of liked it. Unfortunately, the movie got panned by audiences and critics alike. But before I get pounced on for enjoying it, please note that I saw this movie when I was about 24 years old. That is my defense. I cannot defend the actions where I have watched the movie about three times since then. But I like the idea of a paradise that’s too good to be true and a lead character who is suddenly so far over his head, he has no means of getting out. This was a similarity to the much less marketed Escobar: Paradise Lost, a movie that received mixed reviews but, for the most part, had as many people who didn’t like the film as it had people who liked it.
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Sleeping With Other People (2015)

Sleeping With Other People was the fifth movie that I saw over 48 hours. The others were The Finest Hours, Anomalisa45 Years, and Love & Mercy. While The Finest Hours was entertaining and was an excellent movie to see on the big screen in 3D, the only movie of the five that I enjoyed was Love & Mercy. As much as I disliked most of Anomalisa and 45 Yearsthe worst of the five movies was Sleeping With Other People. I am a big of Jason Sudeikis (We’re the Millers, Hall Pass). I liked him a lot on Saturday Night Live and thought that he had a fantastic start to his movie career, and sometimes he can make you laugh out loud with his humor. I think, at least for now, he needs to stick to strictly doing “funny” comedies. Sleeping With Other People was a comedy that was not funny and played like a dramedy more than any of the other movies of Sudeikis that I am familiar with. Likewise, this has also been classified as a romance, which I find to be sad and a discredit to the genre as a whole. I kind of hated the premise of this movie and felt that it was tough for me to relate to, either on a personal level or how I observe those close to me. Perhaps this is the lifestyle for many people, but I don’t see it in my life. I didn’t know if I was supposed to take this movie seriously or if this was just supposed to be a fun 90 minutes. In either case, it failed. I neither enjoyed myself nor even laughed one time.
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Carol (2015)

Every once in a while, you see a series of trailers that convince you that a movie will be awesome. Sometimes this holds to be true, and sometimes it doesn’t. Sometimes you convince yourself that a film is going to be amazing based upon the trailers alone. And then, when the critics support your belief by giving the movie high praise, you head into that movie thinking that you are about to see something exceptional. I thought Todd Haynes (Far From Heaven, I’m Not There) was about to strike gold with Carol. He had the players. With apologies to Jennifer Lawrence, Cate Blanchett (Blue JasmineThe Curious Case of Benjamin Button) is the current leading lady in Hollywood. When I first heard Blanchett’s soothing voice-over speaking to an unidentified character during a trailer with lots of drama, strife, and unpopular decisions with the leads, I could not help but be engrossed. I don’t know who created this trailer, but this individual should have directed Carol rather than Haynes because they brought more drama to a two-minute snippet than Haynes brought in two hours. This isn’t an exaggeration. The trailer is THAT good, and the movie is THAT disenchanting. Blanchett’s dramas are heavy, and she is at her absolute best when she plays a character who is lost in her confusion. So why wasn’t Carol the movie of the year? My belief was because Haynes and Blanchett blew it. The film lacked all of the drama that the preview led you to believe that it had. And Blanchett’s performance wasn’t so flat as much as it was confusing. I based many of the reviews of other lead actresses this year around how I perceived Blanchett would be in Carol (incidentally, I did the same with Lawrence for her performance in Joy). I completely jumped the gun with both of these actresses and prematurely included them in the same sentences as Brie Larson (Room), Carey Mulligan (Suffragette), and Saoirse Ronan (Brooklyn). While I do believe Blanchett will get a nomination (primarily based on name recognition), it would be a travesty if she were to win over Larson or Ronan.
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Brooklyn (2015)

Hands down, the best romance of 2015 is John Crowley’s (Intermission, Boy A) terrific Brooklyn. Note that I did not say that this is the most romantic movie of the year, but rather the best romance. This movie features no wining and dining. There are not the passionate, hot and heavy, sometimes stir a little in your seat scenes that you might be used to in movies like Titanic, The Notebook, Pretty Woman, Before Sunrise, (500) Days of Summer, Dirty Dancing, or Ghost. This isn’t R-rated. It isn’t PG-rated. It is very appropriately rated as a PG-13 movie. It’s the closest thing that well resembles the process of two people meeting each other by chance, getting to know each other first casually and then on a much deeper level before falling into an intense and meaningful love that is both believable and beautiful. I did not know this was a love story going into the film. My mantra this year is to know as little about a movie as possible going into it. That doesn’t mean I’ll see just anything. I do have to see first that the film is getting positive reviews. But if it does have decent reviews and it does have Oscar buzz, I’ll make every effort to see it. Brooklyn was a movie that was the most straightforward film in the world to understand, but at the same time, almost impossible to truly comprehend. And in a word, that is love.
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