Joel Edgerton’s (Warrior, Exodus: Gods and Kings) The Gift is easily the surprise hit of the summer. Creepy and suspenseful, this movie is a clinic on developing characters and entrenching viewers fully into the storyline. I saw the film in a probably 75% full theater, and you could hear a pin drop during the film’s quieter moments. Everyone was all-in on the story, and nobody seemed to know where it was headed because of the oohs and aahs at each new twist. Based on its 93% fresh rating on Rotten Tomatoes, I did not doubt this movie would be good. However, I did not watch a preview beforehand (purposefully), nor did I know anything about the film other than when somebody said the night before my viewing that they heard it had a crazy twist. Therefore, before I get into my review, I would suggest stopping reading and avoiding as much reading or trailer-watching as possible about the film. Long story short, see the movie.
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Category Archives: Suspense
Southpaw (2015)
History probably will not remember this because he missed earning an Academy Award nomination for the first performance and may again miss out on this one. Still, the physical transformation from Jake Gyllenhaal’s performance as sickly, twisted reporter Lou Bloom in 2014’s fantastically crafted Nightcrawler to the lean, mean, fighting machine Billy Hope in 2015’s Southpaw is remarkable. As people watch either or both of these movies in the future, I think they will fail to remember that he filmed these two movies back to back. But aside from how he changed the physical look of his body for each of these roles, his acting performance in each of these films might be the two best in a career that continues to hit all the right buttons, save for The Prince of Persia: The Sands of Time. I’ll first see Southpaw that the less you know in, the better off I think you will be. So if you haven’t seen it, I will list my overall score of the film here, and I would suggest not reading any more until after you’ve seen the movie or if the surprise factor isn’t something you are interested in. I will alert you when I add spoilers to this review. I would give Southpaw an overall score of 87.5/100.
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Jurassic World (2015)
It’s been 12 years since we last saw the Tyrannosaurus Rex tearing up the supposedly revamped dinosaur park in Jurassic Park III. While much better than the 50% rating it earned on Rotten Tomatoes, the movie pretty much signaled the end of the franchise. Gone were Sam Neill, Laura Dern, and Jeff Goldblum. There was talk over the last decade to reinvigorate the series, but nothing ever materialized. Then came the move to call this Jurassic World rather than Jurassic Park IV and add all new players to the game. Had this movie been released in 2005 (to continue the pattern of every three years), I think this movie would have stunk. Even with its 2015 release date, it still could have stunk. But it didn’t stink. It wasn’t the original (93% on Rotten Tomatoes and $350 million domestically + another $50 million on re-release in 2013, not to mention the millions it earned overseas and through rentals). However, it was still very, very good. I’ll go as far as to say that if this was the first movie with Jurassic in the name that it would have earned higher than its respectable 71% on Rotten Tomatoes. With over $200 million drawn on opening weekend, it’s likely to smash any of its predecessors at the box office (by contrast, Jurassic Park earned just $50 million in its first weekend). Regardless, I felt that if the movie received a rating of over 65% fresh, it would probably do very well at the ticket office. I didn’t think it would do this good. But I feel like it deserves its positive reviews and its revenue. It was a very entertaining movie and one that I recommend seeing on the big screen.
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The Gambler (2014)
Rupert Wyatt’s (Rise of the Planet of the Apes, Star Trek 3) The Gambler is a movie that should have done better both with critics and at the box office. Accruing just $33 million domestically and a 46% fresh on Rotten Tomatoes, this movie deserved a better fate. Sure it has its flaws, but 98% of all movies do. One factor against The Gambler was that it wasn’t striking the right audience. The first preview of this movie was a quick 30-second throwaway commercial during a ball game. I do not recall seeing a more extended trailer for this movie in the theater. When I did see the television commercial, it made it seem like it was a shoot ’em up action flick. That’s not what it was at all. I’ll say that this was one of Mark Wahlberg’s (Lone Survivor, The Perfect Storm) finest performances to date. I know Wahlberg is hit or miss with many people, but the man has talent. He has proven he can successfully do drama (The Fighter, Three Kings, Rock Star), crime (The Departed, Four Brothers), comedy (The Other Guys, Date Night), and action (Shooter, The Italian Job, and a host of others). Wahlberg can play a good guy as well as he can a bad guy. But rarely does he play a vulnerable character or a character that doesn’t look like an all-star for a least a good chunk of the movie. Without revealing too much, I will say that this is one of Wahlberg’s most insecure and vulnerable characters. It’s also a role he doesn’t overplay, which, I think, would have been very easy to do. While I didn’t love everything about this movie, I certainly liked it. I would recommend it to all Wahlberg fans or fans looking for a light drama, light crime movie that you don’t have to overthink or take too seriously to enjoy.
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Ex Machina (2015)
Sometimes when you see a movie that you know nothing about, you are treated with an unknown little treat…a film that will stick with you forever. Ex Machina is that movie this year. My comparison here is to the Brad Pitt/Morgan Freeman gem Seven. It was a movie in which I knew nothing. I had only heard that it was a movie I must see through word of mouth. Seven probably has a place forever reserved in my all-time top 25. That’s how good it was. But I think a lot of this initially high rating was because of how in awe of it I was when I saw it in a such a small, rickety stage theater converted to a movie theater in Lexington, VA, in the fall of 1997. Now, Ex Machina is not in the class of Seven. But like Seven, it is a gripping, carefully scripted movie, and one that will stay in your head for a very long time after its viewing. Ex Machina will be hard to beat for the best movie of the first half of 2015.
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