Category Archives: Suspense

The Harvest (2015)

It’s never really a good thing when your movie is released on Video on Demand the same day it opens in the theater. This is slowly changing and becoming a more accepted practice because it helps some of these independent movies earn more money. However, it still means that regardless of how good a movie is (in any category), it is not eligible for Academy Awards nomination consideration. So if it is a movie that you think will be great, you wouldn’t allow it to be available on OnDemand until after he exits the theaters. With that said, I believe that all those involved with this movie (regardless if you loved it or hated it) knew that it would never be in contention for an Oscar award. This is a movie I would not have seen in the theater, and had it not been on OnDemand at the same time as its theater release date, it would have been a movie that I would have missed altogether. Their release plan was a good one. The film, on the other hand, was meh.
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The Equalizer (2014)

Man, The Equalizer was going very well through the first half. And then it unraveled. Denzel Washington (Training Day, Flight) was great, but this movie had many holes, most of which couldn’t have been avoided. Based on the television series of the same name. I was unaware that it even existed before the release of the film. This wouldn’t exactly be a show I would be watching when it aired between 1985-1989 (I was too busy watching shows like The Cosby Show, Family Ties, and Alf during that time). And I think I was offered a disservice by knowing nothing about the television show. It was inferred that those watching this movie had seen the television show, which was not the case. More important than the lack of knowledge of its lead character and how he got to be the way that he is would be the movie’s unevenness. How it starts is certainly not how it ends up. It’s an entertaining movie with Denzel taking out bad guys, but then again, so was home Alone with Macaulay Culkin doing the same.
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Child of God (2014)

I want to say that I am a big fan of author Cormac McCarthy. I loved his novel “The Road” and thought the film adaptation of the movie was spectacular. It was one of those movies that I went in not knowing what to expect but came out loving it. I read the book after seeing The Road in the theater, and I thought that the book was just as good as the movie. I liked the movie so much that I created a trailer for it. I enjoyed No Country For Old Men, but I certainly didn’t think it was the best movie of 2007. I have yet to read the novel, but I will at some point. I picked up two more of his novels this past year. The first was a book called “Outer Limits,” of which I enjoyed parts. The second was “Child of God,” parts of which I enjoyed. I thought both movies were random and very different from “The Road” and how I would expect “No Country For Old Men” to read. I had heard James Franco (As I Lie Dying, The Sound and the Fury) was directing an adaptation of a McCarthy novel, but I didn’t know it was Child of God until I had finished the book.
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A Most Violent Year (2014)

The best movie of 2014 that has flown under the radar is, without a doubt, J.C. Chandor’s (All Is Lost, Margin CallA Most Violent Year. As I will mention in the paragraphs below, this movie is subtly fantastic. But before I get into the film, I want to talk about Chandor. This guy is quietly establishing himself as a master of two crafts. A Most Violent Year is just his third movie, but it is the third for which he has directed and written the screenplay. And all three films have earned at least 88% fresh on Rotten Tomatoes even though none made more than $8 million at the box office. All three movies are unique from one another, and Chandor has already had the opportunity to work with some of the biggest names in Hollywood (Robert Redford, Kevin Spacey, Jeremy Irons, Demi Moore, Stanley Tucci, Oscar Isaac, David Oyelowo, Jessica Chastain, and Albert Brooks). He has already signed on Mark Wahlberg to star in his next project. And while All Is Lost and Margin Call were both unique movie experiences, A Most Violent Year is Chandor’s crowning achievement to date.
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The Imitation Game (2014)

The one movie of 2014 that I was not looking forward to seeing but knew I had to see was, without a doubt, The Imitation Game. I learned early in the year that this would end up being one of the movies to beat, but there was something about the trailer that told me that the movie would probably be well made and tell a great, true story but also be incredibly dull and long. I was wrong. The first thing to point out was that this movie was only 110 minutes. I love a film that can tell its story in under two hours. I understand the standard tends to be closer to 2 hours and 15 minutes (with many movies pushing or exceeding 3 hours), but that doesn’t mean I have to like it. Secondly, this movie was never dull. In the wrong hands, this movie as being a complete snooze-fest. It was anything but. This is why I am ready to give without having seen some of the probably Oscar-nominated movies yet to be released (notably Unbroken, American Sniper, Selma, Mr. Turner, and Into the Woods), Morten Tyldum a Best Director nomination. The only other nomination I have cemented is Richard Linklater (Boyhood). The direction in this movie was outstanding, and I am confident there will not be three better-directed movies in 2014 that I have yet to see.
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