The best film adaptation of a Stephen King horror novel since the 1980s, The Shining, is not classics like Misery, Cujo, Pet Sematary, 1408, Christine, Firestarter, Thinner, or even IT (who seemingly everyone not named me seemed to love). Instead, it is the 2007 Frank Darabont’s (The Shawshank Redemption, The Green Mile) The Mist, a creepy dark tale that haunts your mind as much after its viewing as it does during it. King’s adaptations are either hit or miss, and all of the ones mentioned above (except for IT) are ones I enjoyed and would watch on multiple occasions. But there is both a plot and a suspense factor with The Mist that is like nothing I’ve seen before. I will also say that The Mist is the best Stephen King book I’ve ever read (granted, I’ve only read five or six), and it is one of the best adaptations of a film made from a book that I’ve read before (again, granted there had not been many of those). Recently, I started watching the Netflix show based on the book/movie. While not nearly as good as the book or the movie, Netflix did the show right. I don’t know if there was a need for the show, but I’m glad that they did it right since they went that route. Everything about The Mist is fantastic. I wish I could say the same about a movie like The Fog, one of the worst horror films I’ve ever seen. But I digress.
Category Archives: Hidden Gems
Hostiles (2017)
The very first scene of Scott Cooper’s (Crazy Heart, Out of the Furnace) under-the-radar Hostiles lets you know one thing right off the bat. We get a 10-minute scene where a four-person group of Comanche warriors comes rolling out of nowhere and attacks a family of five in the brutalist of fashions before burning down the ranch and taking off with their horses. After this scene, the title Hostiles pops up on the screen, and we quickly know that we are in for something different than Will Smith’s Wild Wild West. This movie is not for the weak at heart. If you do not like tragedy, this film is not for you. If you have the stomach for, sometimes, senseless killing, characters who carry anger so deep that it burns their souls and guilt so heavy that it tears lives apart, then this movie could be for you. If you crave a good old-fashioned western, this movie will suffice. And if you want to see A-listers like Christian Bale (The Fighter, The Dark Knight Rises), Rosamund Pike (Gone Girl, A United Kingdom), Jesse Plemons (The Post, Other People), Timothee Chalamet (Call Me By Your Name, Lady Bird) and Ben Foster (Hell or High Water, Lone Survivor) continue to cement their names in Hollywood then you can’t go wrong with Hostiles, easily one of the five best movies of 2017. Though it’s unlikely to dethrone Wind River for me, it’s doing its best to make a case in the 11th hour.
Brawl in Cell Block 99 (2017)
I love a good prison movie. Similarly to how I enjoy films set on trains, edgier (i.e., PG13 or greater) sports movies, alien movies, shipwreck movies, or survival movies set in the jungle, there is something about a good prison movie that perks my intrigue, keeps me interested, and has me thinking about it long after it’s over. The Shawshank Redemption, The Green Mile, The Hurricane, Rescue Dawn, Escape from Alcatraz, Lock Up, Murder in the First, Midnight Express, Brokedown Palace, Dead Man Walking, The Longest Yard, Felon, Law Abiding Citizen, Death Race, and others. So what could a prison movie offer that we haven’t seen before on the silver screen or television dramas like Prison Break or Oz or television documentary shows like Lockup or Locked Up Abroad? There are plenty of options for getting your prison fix. But you haven’t seen something in S. Craig Zahler’s (Bone Tomahawk) Brawl in Cell Block 99. Could it be that it’s the most brutal prison movie ever made? You could argue that it is. It certainly could be the goriest. If you have yet to see the horror-western Bone Tomahawk, prepare yourself. I had heard about it but still wasn’t ready for what I saw. I was not too fond of it. But I am going to go back and watch it again. And the reason for that is how much I really enjoyed Brawl in Cell Block 99.
Lights Out (2016)
Lights Out is based on a 2-minute and 41-second short by directing newcomer David F. Sandberg. Creepy from its opening scene to its final second, which will creep you out, the film got the funding to be developed into a full-length movie that stars not one but two well-known actresses. Unfortunately, the 2016 release flew under the radar. I hadn’t heard of the movie until I listened to The Film Vault, a movie podcast site that inspired the Six Pack feature on my blog. If you’re a person who watches a lot of movies, the Film Vault is a weekly must-listen-to. Hosts Anderson and Bryan review all the recent films while doing a Top Five segment each week (top five stabbings, top five divas, top five movies we can’t wait to show our kids, etc.). Also, they assign each other movies that the other one probably would never see and require each other to follow through on these assignments. Like almost all podcasts, it can get a little long at times, and sometimes, the movies they discuss are so obscure that you might have only seen two or three of the 15+ films they discuss each week. But if you watch many movies, even if you don’t necessarily agree with their lists entirely, you’ll be introduced to many movies you’ve never heard of. And, if nothing else, you’ll at least be intrigued to research some of these films to learn more. That’s precisely what happened to me with Lights Out.
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Triple 9 (2016)
If you watched season 1 of HBO’s True Detective and you were as much of a fan of the six-minute single-shot shootout scene that ended episode four’s (titled Who Goes There) as I was, you might just very well like John Hillcoat’s (The Road, Lawless) underappreciated Triple 9. Likewise, if you watch Game of Thrones and found the intense battle between the Jon Snow led wildlings and the white walkers at the end of season five, episode eight (titled Hardhome) as the best single scene in the history of the show, you might just very well like the star-studded Triple 9. If I had trusted my instincts and not those of the critics, I would have been able to appreciate this gem of a popcorn flick on the big screen. Instead, I let the movie pass through the theaters, knowing I would see it eventually at home, but convincing myself that, despite the awesome previous, I would be disappointed by this movie. One of my colleagues at work recently asked why I hadn’t told her to see Triple 9, knowing that it was a movie right up my wheelhouse. She was really the first person I actually knew who had seen the movie. So I feel obligated early on in this review to match this movie with an audience that can best appreciate it. If you like the intensity that comes with a bank robbery movie (my two favorite bank robbery movies are The Town, which is my second favorite movie ever, and the original Point Break), I can’t think of a reason that you wouldn’t like Triple 9. There are plenty of underlying storylines, but just like those two movies, Triple 9 refuses to take its foot off the accelerator and doesn’t confuse its audiences by undervaluing the ferocity of its story by wasting even a single scene that isn’t relevant to its story. In 2016, you almost needed a caveat when talking about movies. So while Captain America: Civil War is the best movie to be released in the first five months of the year, the best non-superhero movie is Triple 9.
Continue reading Triple 9 (2016)