Brutal. That was how I had already decided how I was going to describe Brady Corbet’s (The Childhood of a Leader, Vox Lux) The Brutalist, regardless of what I thought about it. With a runtime of three hours and forty-five minutes (plus a 15-minute intermission), I asked myself before my theater viewing, “Why am I seeing this?” The answer is not because I had any interest in seeing it but because it had been nominated for ten Oscars, including Best Picture, Best Director, Best Lead Actor (Adrien Brody – The Pianist, The Jacket), Best Supporting Actress Felicity Jones (The Theory of Everything, On the Basis of Sex), and Best Supporting Actor Guy Pierce (Memento, The King’s Speech). I saw it in the theater because I was told by content creators I follow that the viewing experience had to be in the theater as Corbet shot the film using VistaVision. This process involves shooting the film horizontally on 35mm film stock to achieve a higher-resolution image for large screens. I wouldn’t have noticed a difference if I had not learned this beforehand.
Category Archives: Adrien Brody
The Thin Red Line (1998)
Love or hate him, Terrence Malick has a unique style. Personally, he’s not for me. The New World was a decent enough film, but it left me wanting more. I had such high hopes for The Tree of Life, only for it to result in one of my most frustrating and tedious theater-going experiences ever, that I was ready to write him off. However, there is often an anomaly. For me, it was his devastatingly beautiful portrayal of World War II in 1998’s The Thin Red Line. Rightfully or not, The Thin Red Line will forever be associated and compared with Saving Private Ryan, another World War II-based Best Picture nominee of 1998. And, if I’m being 100% honest, I did not know that Malick directed the Thin Red Line until after I finished watching it.
The Jacket (2005)
There is something inherently unique about John Maybury’s (Man to Man, The Edge of Love) that has me wanting to watch it every few years to see if I can pick up something more with it. I’m not sure I’ll ever truly have it figured out, and I’m wondering if it’s a movie meant to be figured out completely. I think Maybury wants you to draw your own conclusions about his film. Sometimes I love that. Sometimes it drives me mad. With The Jacket, I find it riveting because this is a small-budget movie with some big ideas and aspirations. While not a hit with audiences ($6.3 million) or critics (44% on Rotten Tomatoes), The Jacket is one of those movies I refer to as a hidden gem. You might not even know about it unless someone suggests it. This is me suggesting it.
Wrecked (2011)
According to the International Movie Database, Michael Greenspan’s debut movie, Wrecked grossed under $5,000 at the box office. For its lead star, Adrien Brody (Best Actor Academy Award for 2002’s The Pianist), this is a far cry from the early part of the decade when his movies like The Village (2004) and King Kong (2005) were each earning over $110,000,000 at the box office. Brody has made some terrible movies since 2005. These have included The Darjeeling Limited, The Brothers Bloom, and The Experiment. The trailer for Wrecked looked intriguing enough. I also wanted to know if Brody had the ability to do what Tom Hanks (Cast Away) and Will Smith (I Am Legend) were able to do successfully…star in a movie in which he is (for a majority of the film) the only actor. After watching the film, there is a reason why Cast Away and I Am Legend each earned $233,000,000 and $256,000,000 at the box office, respectively, while Wrecked brought in less than $5,000.
Predators (2010)
My oh my, Adrien Brody, what has become of your career? Since winning the Best Actor Academy Award in 2002 for his role as Wladyslaw Szpilman in The Pianist, Brody’s career has been hit or miss. His successes were The Village (2004), the under-appreciated The Jacket (2005), and the blockbuster remake King Kong (2002). Brody has also had starring roles in such box office failures as Hollywoodland (2006 – $14.3 million box office revenue), The Darjeeling Limited (2007 – $11.7 million), Cadillac Man (2008 $8.1 million), and The Brothers Bloom (2008 – $3.5 million). In 2010, Brody had five movies set for release. Two of those films have been completed but have since been shelved. A third (The Experiment) went straight to DVD. A fourth (Splice) made just $17 million at the box office. The fifth, Predators, grossed $52 million but would have earned that money regardless of Brody’s presence.