A decade before Alfonso Cuaron (Gravity, Roma) was winning Oscars for Best Director, he directed the critically acclaimed and now cult classic Children of Men, a post-apocalyptic thriller set in 2027 Britain. In this dystopian world, it has been 18 years since the most recent human has been born. Humans have become incapable of reproducing for reasons unknown, resulting in a global fear that the extinction of our species is imminent. England is now the one remaining civilized society on the entire planet, making it a place where everyone can immigrate. The borders are strong, but people still illegally enter. Those caught are promptly placed into refugee camps. While this scenario may seem completely foreign to many of us, it should be a fear in our minds that lawlessness is entirely possible, and situations like these are already happening (though not globally) in many of our smaller countries that cannot defend themselves.
Category Archives: Chiwetel Ejiofor
Triple 9 (2016)
Suppose you watched season 1 of HBO’s True Detective, and you were as much of a fan of the six-minute single-shot shootout scene that ended episode four (titled Who Goes There) as I was. You might like John Hillcoat’s (The Road, Lawless) underappreciated Triple 9 in that case. Likewise, if you watch Game of Thrones and found the intense battle between the Jon Snow-led wildlings and the white walkers at the end of season five, episode eight (titled Hardhome) as the best single scene in the history of the show, you might just very well like the star-studded Triple 9. If I had trusted my instincts and not those of the critics, I would have been able to appreciate this gem of a popcorn flick on the big screen. Instead, I let the movie pass through the theaters, knowing I would see it eventually at home, but convincing myself that, despite the awesome previous, I would be disappointed by this movie.
Secret in Their Eyes (2015)
Billy Ray’s (Breach, Shattered Glass) Secret In Their Eyes is a movie with a trailer that makes it look amazing. With an all-star cast that includes two Academy Award-winning actresses, a mystery/suspense/drama, and a murder of a teenage girl with close ties to the main character’s plot, this movie was sure to be a surefire hit, right? Not so fast. When the mixed reviews started rolling in, you had to wonder what was keeping this moving from being great. There were enough negative reviews that would have saved me from seeing this review or at least had me wait for a home viewing if I weren’t a person obsessed with seeing as many movies as possible in the theater. It turns out I could have easily waited for or maybe skipped it entirely. While entertaining, it’s not a movie that needs to be seen. When all is set and down, I can’t see this landing as even one of the 25 best movies I’ve seen this year. It wasn’t the most disappointing movie I saw this year because I had tempered my expectations, and it still held my interest the only time. However, it was very uneven, pretty far-fetched, and didn’t have an audience for it. I think these suspense/mystery/drama-type movies are losing their audiences (at least in terms of watching them in the theater). With the influx of superhero movies, Pixar and other excellent animated films, and more and more quality independents, movies like Secret In Their Eyes are slowly becoming a dying bread. Of course, there are exceptions, especially when a movie is excellent or win it is based on a book that just about everybody reads (see the astounding Gone Girl for both of these exceptions). But if a movie such as Secret In Their Eyes gets just average or even slightly average reviews, it’s just unlikely to do well in the theaters anymore, regardless of which stars are on it.
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The Martian (2015)
Fans of the self-published debut novel will not be disappointed by Ridley Scott’s (Alien, Gladiator) adaptation of Andy Weir’s The Martian. This is a good movie that should be viewed in 3D on the largest screen that you can see it on. While it doesn’t come close to delivering the same experience as Gravity or even Interstellar, it is one of the rare movies that truly benefits by being seen in 3D. Before I get into this review, I want to mention that I will try to write it from the standpoint of someone who has not read the fictional novel as best as I can, as I know this is something that most people have not read. With that said, I will refer to the novel. I will also give some spoilers, but I will provide notice before diving into any of these. If you read around the paragraphs marked spoilers, you will be okay with reading this review before seeing this movie. The Martian is a very good movie, but it is not great. I was not disappointed by it. If I hadn’t read the novel, I think that maybe the trailers and the hype would have left me wanting more. This movie currently sits as my #6 movie of 2015, but I think there is less than a 1% chance it will finish in my end-of-year top 10. It didn’t have the emotional impact Gravity had, nor does it have the What did I miss? I need to watch this movie again type of feeling Interstellar had. Also, as I will mention, something was missing overall from the performances especially considering that Scott landed the cast of the year. While I will heavily critique this movie, I again want to say that I really liked the movie. It was a very good adaptation of the book. It held my interest throughout its 2 hour and 14-minute time frame.
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12 Years A Slave (2013)
The typical moviegoer of America will soon be introduced to one of the next big names in feature film directing when the Academy Award nominations come out in a few weeks. Steve McQueen will undoubtedly earn a Best Director nomination for 12 Years A Slave, a movie that some say is the greatest movie about slavery ever told. While those who have seen the film have talked a lot about the acting (and rightfully so), this movie, like any great movie, needs a captain to steer the ship and bring the story together. McQueen does just that. In a few weeks, the typical moviegoer will ask what else McQueen directed. Well, this is just his third feature film. He has 23 “Shorts” that he is credited with directing, but only two feature-length films. But these two other films weren’t just any movies. Much like Christopher Nolan (The Dark Knight, Memento), everything that McQueen has touched in his young career has had a purpose. He doesn’t have any “throw away” movies. The movies he has tackled thus far in his full-length directorial career have been on slavery, sex addiction (Shame), and the true story of an Irish Republican Army activist who, in 1981, protested the way British guards were treating him and fellow inmates by embarking on, perhaps, the most internationally recognized hunger strike since Gandhi (Hunger). While Shame and Hunger earned critical acclaim, many people didn’t see them. Shame is a brilliant movie about the taboo topic of sex addiction. As a result, I expected much more when I saw Hunger after this. While I appreciated many aspects of Hunger, I found it rather dull. So now, with 12 Years A Slave, McQueen has three movies I admire and two that I think are brilliant.
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