James Mangold’s (3:10 to Yuma, Walk the Line) Logan is about to set the standard for the next wave of superhero movies: the death of a significant character. In an age of film (particularly superhero ones) where we’ve seen sequels, prequels, and reboots, we have yet to see the story’s beginning, middle, and definite conclusion. We’ve seen plenty of superhero movies that COULD be a conclusion story, but we’ve all learned that we think the end isn’t the end unless we see that character killed off. And even then, we don’t know. When there is the potential for hundreds of millions of dollars to be made, who are we to believe that the end is the end? Often, the end is determined by a crappy movie in a series that doesn’t resonate with audiences or critics. Sometimes, that movie can be a concluding story, but often it is not. But (spoiler, but not really) based on what happens at the end of the film, I don’t expect to see him back. I probably will in another fashion, but that can be an argument for a different day. Until then, I’ll continue to sing the praises of Logan. At the time of this review, I have it as one of the top five Marvel movies ever.
Category Archives: Hugh Jackman
Les Miserables (2012)
So it turns out, to no big surprise, that I’m not a fan of musicals. I have yet to see Moulin Rouge! or Chicago. Even though I’ve been told how great both movies are, I have yet to find the desire to give either film a chance. There was something about Les Miserables, however, that piqued my interest. I think it was the Anne Hathaway trailer. I’ve repeatedly said on my blog that Anne Hathaway and Michelle Williams are the two best actresses in the world. I’ll go out of my way to see any movie in which either actress stars. I thought the Hathaway “I Dreamed a Dream” trailer was perfectly made. It won me over on the spot. I put aside any reservations and promised myself I would see it.
Continue reading Les Miserables (2012)
Deception (2008)
Continuing to get my Michelle Williams (Blue Valentine, Incendiary) fix, I caught the directorial debut of Marcel Langenegger, 2008’s Deception. While captivating initially with its slow, almost methodical building of suspense, this movie ultimately tries to outsmart itself by offering twist after twist after twist. By the time the movie crawled to its conclusion, we either figured out the twists, or they were so far-fetched and ridiculous that we didn’t care about them.