Michael B. Jordan has arrived, at least for those who haven’t watched films in either the Creed or Black Panther franchises. For many, Jordan first arrived with his breakout role in Ryan Coogler’s 2013 film Fruitvale Station, the true story of Oscar Grant, a 22-year-old black man who is on the straight and narrow with his girlfriend and young after spending time in prison, only to be caught up in a 2008 altercation following a night that ended in tragedy after watching New Year’s Eve fireworks in San Frnacisco that ended in tragedy. Jordan’s sympathetic performance as a man wronged by a system that seemed determined to persecute him before knowing all the facts leaves the viewer feeling angry and distraught at the film’s conclusion. It could have earned Jordan his first Academy Award nomination. Twelve years later, he is still searching for that Oscar nomination that will add him to an exclusive list of Hollywood’s elite.
Category Archives: Jack O’Connell
28 Years Later (2025)
When director Danny Boyle (Slumdog Millionaire, 127 Hours) and screenwriter Alex Garland (Ex Machina, Civil War) teamed up for the 2002 film 28 Days Later, little did we know what a cultural phenomenon this under-the-radar, “Zombie if they were infected with Rabies” story filmed on an $8 million budget would become. Nor did we know just how well Boyle and Garland would complement each other, as director and screenwriter, respectively. Having become a timeless film that ignited a quarter century of zombie fiction movies, television shows, books, and video games, 28 Days Later modernized this horror sub-genre with its “what if the infected zombies moved at warped speed rather than at a snail’s pace” question.
Ferrari (2023)
2023 has been the year of the biopic. The year may be the successful blueprint that could ignite a trend. Each year, several biopics are released. Some are good. Some are not. In 2023, it has often felt like a new biopic was set for release each week. Some of the better ones were The Iron Claw, Dumb Money, Oppenheimer, Blackberry, Tetris, Maestro, Air, and Sound of Freedom. At some point, there was biopic overload, with films like Golda, Big George Foreman, Rise, Chevalier, Rustin, and Nyad getting lost in the shuffle. Rustin and Nyad are receiving Oscar Buzz for leading acting performances. Yet, if not for this recognition, each film likely would have been missed by the public without even knowing the film existed.
Lady Chatterley’s Lover (2022)
Score another victory for Netflix in its ongoing battles with Hulu, Apple+, Prime Video, Peacock, HBO Max, Disney+, etc. The original streaming movie streaming service has seen many peaks (and a few valleys) since it moved from its strictly digital base platform in 2007. Fifteen years later, with fierce competition, including the likes of Amazon and Apple, two of the most influential companies in the history of the world, the 1997 start-up company continues to be the clubhouse leader with both its quantity and quality of original content. Laure de Clermont-Tonnerre follows up The Mustang, her breakthrough directorial effort, with Lady Chatterley’s Lover, a heartwrenching retelling of the classic D.H. Lawrence novel.
Jungleland (2019)
“Anything that can go wrong will go wrong.” – Murphy’s Law.
This quote could be the tagline for Max Winkler’s (Flower, Ceremony) third featured film, the intense and gritty Jungleland. Set across the backdrop of the heartland of present-day America, Bostonian brothers Stanley (Charlie Hunnam – The Lost City of Z, Papillon) and Lion (Jack O’Connell – Unbroken, Money Monster) travel from their Massachusetts home to San Francisco, where they will participate in Jungleland. Jungleland is a $100,000 bare-knuckles prize fight tournament in which a local gangster named Pepper (Jonathan Majors – Creed III, White Boy Rick) can secure a spot for Lion. Lion is a skilled lightweight boxer who is banned from traditional boxing matches after Stan, who also serves as his manager, is caught trying to bribe a referee. It is before the start of the film that this incident takes place, but it establishes Stan as a shady dealer who will do anything to make a quick buck. The main problem is that he makes terrible deals, becoming heavily in debt. The brothers work at a sewing factory, but this isn’t enough to get Stan out of the hole he dug himself. And while Lion is one of the best fighters, the back alley clubs that hold these unsanctioned fights can only pay its winners up to two hundred dollars per fight. It’s simply not enough to pay back what he owes and keep food on the table for the duo.