Love or hate him, Terrence Malick has a unique style. Personally, he’s not for me. The New World was a decent enough film, but it left me wanting more. I had such high hopes for The Tree of Life, only for it to result in one of my most frustrating and tedious theater-going experiences ever, that I was ready to write him off. However, there is often an anomaly. For me, it was his devastatingly beautiful portrayal of World War II in 1998’s The Thin Red Line. Rightfully or not, The Thin Red Line will forever be associated and compared with Saving Private Ryan, another World War II-based Best Picture nominee of 1998. And, if I’m being 100% honest, I did not know that Malick directed the Thin Red Line until after I finished watching it.
Category Archives: Jared Leto
Requiem for a Dream (2000)
One of the most recognizable and influential films about substance abuse in cinema history is Darren Aronofsky’s (Black Swan, The Wrestler) revolutionary cult classic Requiem for a Dream. While this movie certainly is not for everyone, it ages very well. Much like films such as Eternal Sunshine of the Spotless Mind or Fight Club, this one deserves a second chance for those who might have dismissed it after a first watch. This is especially true in today’s times when drug abuse is as rampant as it is, with too many people dying because what they are purchasing and inserting into their bodies is often laced with substances unbeknown to them.
House of Gucci (2021)
I have been hesitant to want to claim that movies are progressively getting worse. However, it’s starting to get to the point where there are only a few outstanding films each year, whereas there would be upward of a dozen in the past. Last year, the best movies were Promising Young Woman and News of the World, two that, while suitable, wouldn’t have even made my Top 10 a decade ago. This year might even be worse. As we enter December, the best movie I’ve seen is a quiet little movie called Blue Bayou, which could get some late Oscar buzz, but it’s unlikely to sneak into the top lists of critics like Sound of Metal did a year ago. Likewise, movies such as The Last Duel, The Eyes of Tammy Faye, and King Richard have had some excellent individual acting performances but have underwhelmed as a whole. The same can be said of Ridley Scott’s (Alien, Black Hawk Down) flat House of Gucci.
American Psycho (2000)
My recent apparent 2020 trend of alternating between Christian Bale, Denzel Washington, and Russell Crowe movies continues with my review of Mary Harron 2000’s cult classic American Psycho. In his first lead role, this film introduced an experienced but still grossly undiscovered Bale (The Fighter, Ford v Ferrari) to the screen.
American Psycho seems like a movie that most people have seen. If you haven’t seen it, you’ve at least heard of it. I’ve seen it three or four times, and each time, I think I will end up liking it more than the time before. And that’s not saying a lot because I wouldn’t say I liked it the first time I saw it and got upset with myself for watching it every four or five years. I want it to be good. It’s just not. The main reason is that it is too obscure. I’m not too fond of zany or batty. I also sometimes like everything laid out before me, so I don’t have to think. American Psycho makes you think, but you have to think too hard, and then you wonder if what you thought was correct or wasn’t anywhere close to being what Harron intended.
Dallas Buyer’s Club (2013)
Dallas Buyer’s Club was a movie I thought I would like, wanted to like, and started off liking until it became a biopic that just started to bore me. This movie will get lots of recognition during awards season and, in many cases, deservingly so. The performances of Matthew McConaughey (Mud, Killer Joe) and especially Jared Leto (Requiem for a Dream, Girl Interrupted) are top-notch. I could see McConaughey getting a nod for best actor for portraying the real-life HIV-positive Ron Woodroof, even though I thought his performance in Mud was better (note, he might get a best-supporting actor nomination for that movie). Leto is a lock for a Best Supporting Actor Oscar nomination. His performance as Rayon, a transsexual HIV-positive drug addict, named Rayon, is out of this world. The chemistry between the two main actors was top-notch. While Jennifer Garner (13 Going on 30, Juno) underwhelms as a local doctor whose specialty is working with patients infected with HIV or AIDS, Steve Zahn (Joy Ride, Rescue Dawn) is nearly unrecognizable (in a good way) as Ron’s brother and a local police officer. Jean-Marc Vallee did a pretty good job directing this movie. The cinematography is awesome. The movie takes place in 1985 Texas and feels like 1985 Texas. McConaughey is a cocaine-addicted womanizer who earns money as a small-time electrician, part-time rodeo rider, and small-time drug dealer. His lifestyle is reckless, and his body shows its wear and tear. He looks like he is about 30 pounds underweight the entire movie.
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