After two movies, the jury is still out on Joel Edgerton as a director. After catching fire with 2015’s surprise hit The Gift, Edgerton tried his hand with material based on a true story, adapting and writing the screenplay for Garrard Conley’s novel Boy Erased. To be perfectly transparent, I had extremely high expectations for this film. This was a novel I read a couple of years ago, well before I knew that a movie based on the story was in the process. I enjoyed the book, and when I saw that the cast was to include Edgerton, Lucas Hedges, Nicole Kidman, and Russell Crowe and that it was already being mentioned in Oscar discussions before it was released, I was more than excited. However, I knew that the topic of this film was controversial. When I read the book, I was not dissatisfied with the ending but felt rushed quite a bit. Boy Erased was one of my ten most anticipated films of the year. And like a few others in my ten most anticipated films of the year (namely First Man), it ultimately failed to impress. A film that should have been ripe with emotion left me completely unaffected.
Category Archives: Joel Edgerton
Red Sparrow (2018)
There is much to unpack with Francis Lawrence’s (The Hunger Games: Catching Fire, I Am Legend) ambitious spy thriller Red Sparrow, a 2018 early summer release that mainly flew under the radar domestically ($46 million) but excelled internationally ($150 million). Jennifer Lawrence (Silver Linings Playbook, American Hustle) is, as of 2018, probably the actress who can command the most money per movie. If not number one, she’s pretty darn close. But that doesn’t mean that every movie she does will earn her an Oscar nomination or gross $100 million. And she’s not that choosy. Since bursting onto the scene with 2010’s Winter’s Bone, the first of her four Oscar nominations and one of the best breakout performances in the last 25 years, Lawrence has starred in more than 15 movies before the release of Red Sparrow. And while she can excel at portraying various characters, a Russian spy will not go down as one of her Top 10 performances of all time. It’s not that she was as bad as Dominika Egorova, a Russian ballet dancer who is, more or less, forced into the life of being an undercover operative after a terrible leg injury ruins her dancing career and leaves her needing money to pay for her mother’s medical expenses.
Loving (2016)
Jeff Nichols’s (Take Shelter, Mud) Loving is an early contender for my most disappointing movie of the year. While there are plenty of other candidates, Loving is the only one likely to be considered for Oscar contention. It likely will get a nomination for Joel Edgerton (Warrior, The Gift), who I think is one of the best actors we currently have but whose performance was not one of the five best of the year (and probably wasn’t even one of the ten best). It likely will also get a nomination for Ruth Negga (Of Mind and Music, Warcraft), whose performance was equally uncompelling. And it could earn Oscars for Nichols (who I also love, but who should get nominated as well as Best Picture).
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Midnight Special (2016)
Midnight Special…First, the good. The tone was incredible. It was seductive. It was menacing. It was creepy. It was engaging. It kept you on the edge of your seat. Finally, it had the right director. Jeff Nichols (Mud, Shotgun Stories) is still pretty new to the game. This is just his fourth directorial effort, and, once again, Nichols teams up with Michael Shannon as his leading man (99 Homes, Revolutionary Road) for the first time since the absolutely incredible Take Shelter, a movie that was nothing short of a thing of genius. In addition to the amazing Take Shelter, Mud and Shotgun Stories were both fantastic movies. Midnight Special was supposed to be the next great chapter in the Nichols/Shannon book of greatness. Unfortunately, this was the furthest thing from the truth.
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Black Mass (2015)
Black Mass? More like Black Mess. This movie was not just a story that most of us could care less about, but it’s boring. It reminded me of American Hustle in that it was set in the same time period; it had a fantastic cast and, most importantly, the high expectations coming into it. I wouldn’t say that this movie was as disappointing because it didn’t have the Oscar expectations going into it as American Hustle did. Nonetheless, like the Christian Bale-led movie, I expected big things from this Johnny (Finding Neverland, Chocolat) endeavor. I don’t know if this movie was trying to be a combination of The Godfather/The Departed/Public Enemies and others, but it didn’t succeed outside of making Depp look like an old Jack Nicholson. I liked seeing Depp outside of the quirky roles he has been performing in as of late. And while he was pretty good, I did feel like the movie was brought down, in part, to how boring his character was. Unlike American Hustle, in which the performances were good (yet still overrated), the performances in Black Mass were flat. A terrific cast is wasted here. It is a disappointing movie in every sense of the word.
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