Many deem Christopher Nolan’s (Interstellar, Oppenheimer) The Dark Knight the best comic book movie ever. Those and others consider Nolan’s three Batman films the quintessential superhero trilogy. The Dark Knight is the franchise’s standout, successfully eclipsing the superhero genre and delivering an eerie tale of good versus evil that requires many chief characters to make layered, moral decisions at a moment’s notice. In particular, The Joker (Heath Ledger – Brokeback Mountain, Monster’s Ball), the film’s villain, continually requires its protagonists to choose between what is best for them and society’s greater good. Fans of superhero movies and those who traditionally have little to no interest in that genre can equally appreciate The Dark Knight.
Category Archives: Michael Caine
The Cider House Rules (1999)
The best part of The Cider House Rules, the 1999 film by director Lasse Hallström (An Unfinished Life, Chocolat), is the sweet, uplifting score from composer Rachel Portman. When a movie’s score is the best thing you can say about it, that’s not always good. With that said, some excellent movie scores out there help make a good movie great or a great film near perfect. Examples off the top of my head that I can think of are Jaws, Rocky, Sicario, Jurassic Park, The Last of the Mohicans, Drive, The Social Network, Halloween, Far and Away, The Empire Strikes Back, and Braveheart, to name a few. Each is a movie that I would consider to be, at worst, a B+ movie. Though a lesser score would likely not diminish my impression of any of these films, one of the first three or four things that come to mind is the score. When I think of The Cider House Rules, I think immediately of Portman’s beautiful Oscar-nominated score. However, unlike the movies above, its great score doesn’t equate to greatness. An A+ score probably takes this C+/B- movie up to a B.
Children of Men (2007)
A decade before Alfonso Cuaron (Gravity, Roma) was winning Oscars for Best Director, he directed the critically acclaimed and now cult classic Children of Men, a post-apocalyptic thriller set in 2027 Britain. In this dystopian world, it has been 18 years since the most recent human has been born. Humans have become incapable of reproducing for reasons unknown, resulting in a global fear that the extinction of our species is imminent. England is now the one remaining civilized society on the entire planet, making it a place where everyone can immigrate. The borders are strong, but people still illegally enter. Those caught are promptly placed into refugee camps. While this scenario may seem completely foreign to many of us, it should be a fear in our minds that lawlessness is entirely possible, and situations like these are already happening (though not globally) in many of our smaller countries that cannot defend themselves.
Interstellar (2014)
Interstellar is a good movie that aims to be not just a great movie but a movie that people talk about for years and years to come. I imagine that there will be a circle of fans who will do this, but I think, for the majority of people, this will be a movie that they enjoy but won’t ever think of as being unique or legendary. I think this movie tried too hard to make that lasting impression rather than just live in the moment of making a great film. As I will mention below, this movie could have been much more straightforward and, in doing so, much more effective. I felt the first 45 minutes of the movie created a cast of characters and a setting in which numerous stories could have been told, and the film could have succeeded. I say this because Interstellar is, first and foremost, a space exploration movie with overtones of the importance of human relationships and weighing what is best for society against what is best for an individual. However, I would like to know if I recommend the movie. And I do recommend it. As much as I wanted it to be great, it wasn’t. But it was still good. At 168 minutes, it is at least 45 minutes too long. And the spaceship scenes themselves are absolutely brutal. There is way too much dull talk of esoteric physics that went straight over the heads of 90% of the audience. It wasn’t needed and forced you to try to use your brain to comprehend everything that was happening. That wasn’t why I was there. I go to movies to not have to use my brain.
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The Dark Knight Rises (2012)
Christopher Nolan’s (Inception, The Prestige) last chapter in his Batman franchise is the exciting but imperfect The Dark Knight Rises. This is an excellent movie and successfully concludes the best trilogy I’ve ever seen. However, if you go in with the idea that it will be better than The Dark Knight, you will be disappointed. With Hedge Ledger’s to die for performance as the Joker, The Dark Knight is as close to a perfect movie as you will get. It holds a place on my Top 10 Movies of All-Time list. The Dark Knight Rises is very ambitious, a little too ambitious. At 2 hours and 45 minutes, you’d think they have plenty of time to tell its story and conclude the franchise, but there is so much to the story, and rushing its development and racing to its conclusion would not have resulted in a successful movie. This is one of those movies where a review such as mine won’t persuade you to see it or not see it. You most likely have it in your head that you will either see this movie or not. So why do I write it? Because I committed myself to reviewing every film that will be on my Top 10 list at the end of the year. I am very, very confident there will not be ten other movies released in 2012 that will be better than The Dark Knight Rises.
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