Kong: Skull Island was my most anticipated movie in the first quarter 2017. And while it won’t be up for any end-of-year honors and won’t end up on my year’s top ten list, I found Kong: Skull Island to be a very engaging, exciting, and, if possible, original. While it wasn’t perfect, this movie was fantastic. As excited as I was to see it when I initially saw the trailer, I wasn’t feeling it the day of my viewing. Even with a Rotten Tomatoes score of 79%, I still felt like I would be disappointed. Since seeing it in the theater, I haven’t watched the most recent King Kong movie (the 2005 one starring Naomi Watts and Adrien Brody). I remember liking it a lot. But I don’t remember many of the details. I do remember it being extremely long. It honestly felt like it should have been two movies, which is why I haven’t watched it since, even though there has been a copy of the DVD on my bookshelf for the last decade.
Category Archives: Shea Whigham
Cop Car (2015)
Dark humor movies aren’t my thing. They have never been. They never will be. I want my comedies to my funny. I want my dramas to be full of drama. I do like a lot of dramedies, but, to me, dark humor movies don’t fall into that category. I also like movies that make me think, keep me entertained, or, preferably, both. Jon Watts’s (The Amazing Spider-Man 3, Clown) Cop Car did neither of these things for me. While I understand there are many critics of Indie films out there who will enjoy this film, this is a movie to avoid for the everyday moviegoer. I feel like this is the top movie for many movie fans that you’ll ask yourself how you can get those 90 minutes of your life back. For me, the film had promise. I felt that it was building towards something good. Unfortunately, it never came close to reaching what I had hoped for, at least for me. It actually didn’t come close.
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All the Real Girls (2003)
Director David Gordon Green is quietly creeping into the upper echelon of movie directors. However, he is probably a name most people still have not heard of. Green is known for doing these smaller, independent, character-driven movies that are often set in Anytown, USA. To me, the movies are incredibly realistic because they dive so deep into raw, everyday emotions, explicitly dealing with love and lust and jealousy and anger and hurt. Keep in mind as I say this that he has also directed stupid humor comedies like Pineapple Express, The Sitter, and Your Highness, but that shows how ultra-talented the man is. The movies I am talking about are George Washington, Undertow (which I didn’t like but appreciated), and Snow Angels, a film I admire in every aspect. I’d need to go back and watch Snow Angels again (a movie I watched for the second time ever, no more than 3 or 4 months ago) before deciding if I like it or All the Real Girls better. To me, both of these movies capture the pureness of simple film-making.
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Silver Linings Playbook (2012)
Silver Linings Playbook was a great movie I would have seen if I had done more research ahead of time. I have known for months now that Jennifer Lawrence is a candidate, if not the favorite, for this year’s Best Actress Academy Award and that Bradley Cooper could snag one of the five nominations in the Best Actor category. The movie might land a spot in the Best Picture category, though it would have little chance of winning. So the Oscar buzz was one reason that got me to the theater. The other was that the movie centered on mental illnesses and broken relationships. Those movies often, but not always, engross me. I saw drama and comedy as words associated with this movie. Perhaps naively, I did not see a romantic comedy. While there was a bit of drama and some attempts at comedy (which I found to be weak), this slowly but surely turned into a romance. By the movie’s conclusion, I was very, very okay with that. Though flawed at times, it came together nicely and felt reasonably original to me. If ten movies are nominated for Best Picture this year, Silver Linings Playbook will and should be one of them.
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Take Shelter (2011)
The most overlooked performance by a lead actor in 2011 was Michael Shannon’s performance as the delusional Curtis LaForche in the Jeff Nichols (Shotgun Stories) bone-chilling drama Take Shelter. Though Shannon’s acting career began in 2001, and the first three movies he appeared in (Pearl Harbor, Vanilla Sky, and 8 Mile) each grossed over $100,000,000 at the box office, it wasn’t until 2008 when he earned an Academy Award nomination for Best Supporting Actor after two jaw-dropping scenes as a mentally unstable man in Revolutionary Road.
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