The biggest flop of 2014? Possibly. Jonathan Teplitzky’s (Burning Man, television’s Broadchurch) grossed under $5 million in the theaters but cost $18 million to make. This movie should have been great. But then again, so should have been Unbroken, the underwhelming Angelina Jolie vehicle that showcased the 47-day survival of two men living on a raft after their plane was shot down during World War II only to be held in a prisoner of war camp. This movie did just fine at the box office (doubling its budget costs), but it still did not come close to expectations. The Railway Man had lesser expectations than Unbroken, but it did have a better cast and weaker competition at the time of its release. A 66% on Rotten Tomatoes isn’t bad, but usually, you want to see a slightly higher (at minimum) for a true story-based historical drama. I am uncertain of why I watched this film. I had convinced myself I was not going to. But it showed up on my Showtime OnDemand list one day when I was trying to find a movie to watch and decided to give it a chance. I’m glad I did. It is certainly not a great movie but is better than expected. It is a much more complete film than was Unbroken.
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Category Archives: Based on a True Story
Steve Jobs (2015)
The much anticipated Steve Jobs exists so much as a single entity that we may forget that the 2013 Ashton Kutcher Jobs movie ever existed. Steve Jobs has been a much bigger hit with critics (85% fresh on Rotten Tomatoes versus 27% rotten) and audiences (the 2015 movie earned more than half of what the 2013 movie grossed in its first week alone). While neither Kutcher nor Michael Fassbender (Shame, 12 Years a Slave) looks anything like the actual former CEO of Apple, Fassbender is a much more credible dramatic actor than Kutcher ever will be. That is reason enough to give Steve Jobs the nod over Jobs if you debate which one to watch. This review will not compare the two movies as I have not seen Kutcher’s Jobs, and I have no desire to see it. For whatever reason, I wasn’t looking as forward to the Fassbender vehicle as I thought I would have been, and it turns out that trepidation was justified. Steve Jobs was a very average movie that I can only recommend with the caveat that, while you might like it, you aren’t going to like it as much as you were hoping to like it.
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Bridge of Spies (2015)
Bridge of Spies. The ultimate cure for insomnia. Okay, okay, it wasn’t that bad. It actually started great. It was also based upon a true story, so it had that going for it. But Lincoln, War Horse, and Munich were all Steven Spielberg-directed movies, and I found all three of those to be incredibly dull. I’m a huge Spielberg fan, but after doing a quick scan of his filmography, he hasn’t directed a movie I’ve liked in a decade (2005’s War of the Worlds). And I get wanting to branch off from the science-fiction/action-adventure genre that really defined him, but he seems to be missing something when it comes to these dramas. Of course, there are exceptions to the rule. Saving Private Ryan was one of the greatest movies ever made. So while I appreciate his desire to recapture the glory he achieved in a movie like that or a movie like Amistad or a film like Schindler’s List, I must then wonder why he’s wasting his time on a film like Indiana Jones and the Kingdom of the Crystal Skull. Worse, based on how poor that movie was, why was he set to direct a fifth installment of the series? Long story short, this isn’t the same Steven Spielberg of the 1980s and 1990s. There will be fans of the style of films he seems to be mainly concentrating on now (heck, Munich, War Horse, and Lincoln were all nominated for best picture), but all three of these movies (as well as Bridge of Spies) just felt long and tedious to me.
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Black Mass (2015)
Black Mass? More like Black Mess. This movie was not just a story that most of us could care less about, but it’s boring. It reminded me of American Hustle in that it was set in the same time period; it had a fantastic cast and, most importantly, the high expectations coming into it. I wouldn’t say that this movie was as disappointing because it didn’t have the Oscar expectations going into it as American Hustle did. Nonetheless, like the Christian Bale-led movie, I expected big things from this Johnny (Finding Neverland, Chocolat) endeavor. I don’t know if this movie was trying to be a combination of The Godfather/The Departed/Public Enemies and others, but it didn’t succeed outside of making Depp look like an old Jack Nicholson. I liked seeing Depp outside of the quirky roles he has been performing in as of late. And while he was pretty good, I did feel like the movie was brought down, in part, to how boring his character was. Unlike American Hustle, in which the performances were good (yet still overrated), the performances in Black Mass were flat. A terrific cast is wasted here. It is a disappointing movie in every sense of the word.
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Straight Outta Compton (2015)
Straight outta Compton and straight into the Oscar buzz. It’s early, and I guess this movie is forgotten about come Halloween time (just like most of the great films released in the first eight or nine months of each year are). Still, for right now, this movie is hot with audiences (over $100 million grossed after eight days) and critics (89% fresh on Rotten Tomatoes) as just about any other movie of the year. As I will explain in my review below, Straight Outta Compton didn’t do anything (besides the music itself) that was amazing on its own, but it did do just about everything well. I wouldn’t call it the surprise hit of the year as many other movies flew much further under the radar (Ex Machina and The Gift are the two that come to mind for me). Still, it was perhaps a movie that had the potential to be very good or very bad depending on the acting, which part of the story would be told, and, most importantly, the movie’s direction. I’ll talk more about F. Gary Gray (The Negotiator, The Italian Job) later in the review, but, long story short, he nailed it. Straight Outta Compton was his most challenging work to date and his most impressive and, while I think it’s an extreme long shot based on the history of the Academy and its voting, his name could still be swirling around as a dark horse for Best Director come December.
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