Just because a film has the revered Aaron Sorkin (The Social Network, Steve Jobs, The American President, Charlie Wilson’s War, Moneyball) attached to it as a screenwriter doesn’t mean we should automatically assume it will be a hit. The screenwriter has hit some home runs on the big screen. He’s the mastermind behind a few of the most revered television shows (The West Wing, Sports Night, The Newsroom) of the last 25 years. But that doesn’t mean that everything he touches will turn to pure gold. Venturing into just his second movie as a director (Molly’s Game), The Trial of the Chicago 7 is far from a film that should receive a Best Picture nomination. Sadly, it could very well win the top prize for 2020. Of the eight Best Picture nominated movies for 2020, only three finished in my top ten. In other years, I don’t think any of the three would have found a spot in my end-of-the-year list. 2020 was not a great year in the history of the world. The year in film was no exception.
Category Archives: Based on a True Story
Ma Rainey’s Black Bottom (2020)
As I write this post today, it has been just hours since the Academy of Motion Picture Arts and Sciences named its nominees for The 93rd Academy Awards, recognizing the best of what may have been its most unique year. 2020 was a pretty dreadful year all around. It was my most challenging, trying, and somber year. I’ve mentioned quite a few times in other reviews that most of the big blockbusters that were initially scheduled to be released were delayed to 2021 in hopes that the end of the COVID-19 pandemic would signal a return of moviegoers to the theaters. The jury is still out on each of these. Indeed, some theaters that closed their doors back in March of 2020 will never open their doors again. Others will see far less patronage because many movies have Video on Demand releases on the same day or shortly after their theatrical release.
Our Friend (2019)
I went into my viewing of Gabriela Cowperthwaite’s (Megan Leavey, Blackfish) Our Friend, knowing almost nothing. I hadn’t seen a single trailer or read even a sentence of a single review. All I knew was that the movie starred Casey Affleck, a drama based on a true story, and had both an audience and critics’ score on Rotten Tomatoes that exceeded 85%. It was enough for me to give an unknown movie a chance. I was rewarded with a film that, while incredibly uneven, delivered in a deeply affecting way for which I was ill-prepared. This incredibly poignant movie is not for everyone. Bring your tissues. If you are a cancer survivor or were with someone during their successful or unsuccessful battle with cancer, be forewarned that Our Friend could bring on some incredibly intense emotions, some of which you have been consciously or unconsciously suppressing. Its final act strikes you at your core while also humbling you at the same time.
Dark Waters (2019)
Mark Ruffalo (Foxcatcher, Spotlight) continues to show that he is one of the more under-appreciated Hollywood heavyweights in Todd Haynes’ (Carol, Wonderstruck) new release. Dark Waters tells the true story of Cincinnati lawyer Rob Bilott’s extraordinarily long legal battle against the DuPont Chemical Company and the toxic waste it was dumping into the streams and rivers of West Virginia. This poisonous waste contributed to a high rate of cancer cases in the surrounding areas and contributed to an alarming number of deaths among cattle and other animals. The movie is exceptionally well-made. It should be seen by all as it hits on self-regulation, big business, medical disasters, and company cover-ups on such a grand scale that it seems hard to fathom as being possible in today’s world. In today’s society, there is so much scrutiny, regulation, and punishment for companies doing what DuPont did and almost escaped without punishment. Almost.
Ford v Ferrari (2019)
James Mangold’s (Logan, Walk the Line) Ford v Ferrari is the perfect movie to see in the theatre. It has action. It has drama. It has a clear protagonist. It makes you want to stand up and cheer for the good guys. This racing movie is much better viewed on the big screen than on a small screen at home. Likewise, a movie theater’s surround system is a better experience than any surround system you might have at home. With that said, this movie has gotten much better acclaim (91% critics, 98% audience on Rotten Tomatoes) than it probably deserved. I haven’t seen many racecar movies, but this movie fails compared to a film like Rush. However, this is a good and highly entertaining movie.