Dark humor movies aren’t my thing. They have never been. They never will be. I want my comedies to my funny. I want my dramas to be full of drama. I do like a lot of dramedies, but, to me, dark humor movies don’t fall into that category. I also like movies that make me think, keep me entertained, or, preferably, both. Jon Watts’s (The Amazing Spider-Man 3, Clown) Cop Car did neither of these things for me. While I understand there are many critics of Indie films out there who will enjoy this film, this is a movie to avoid for the everyday moviegoer. I feel like this is the top movie for many movie fans that you’ll ask yourself how you can get those 90 minutes of your life back. For me, the film had promise. I felt that it was building towards something good. Unfortunately, it never came close to reaching what I had hoped for, at least for me. It actually didn’t come close.
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Category Archives: Year of Release
Two Days, One Night (2014)
While I am not the biggest fan of foreign language films, I am the first to admit that when a foreign movie is excellent, you get to the point where you don’t even notice you are reading subtitles anymore. You become so gripped by the film that it’s not just a great foreign film you are watching…but rather it’s a great film. However, on the flip side, when a foreign film is terrible, it tends to drag and drag and drag. I think part of that reason is that you’ve tuned out the movie so much that you have no idea where you are in the film when you do glance back. As a result, it becomes a dreadful movie experience. I feel that almost all foreign films I watch are based on recommendations. Rarely will I be perusing Netflix and seeing a movie and adding it to my queue because it’s a “foreign movie.” I am far more likely to eliminate a film in subtitles than I am to entertain it. As a result, I rarely find a foreign film to be mediocre. I usually end up either liking the movie a ton of feeling like I just wasted two hours of my life. There are, of course, exceptions to the rule, and that is exactly what Two Days, One Night is. It is a movie that is mediocre in every sense. It had nothing to do with it being a foreign film. Had it not had subtitles, it would have been equally mediocre.
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No Escape (2015)
No Escape is a combination of Behind Enemy Lines meets Argo meets World War Z. Unfortunately, it is not nearly as good as any of these movies. In fact, it wasn’t good at all. It certainly was not the worst movie I had seen in 2015, but thus far, it has been the most disappointing. The previews for this movie make it looks great. If you’ve seen any movie this summer, you’ve undoubtedly seen the extended clip of Owen Wilson, in a last-ditch effort to save his family, hurling his young daughter from the roof of one building to another. It makes the movie look like the most intense movie of the year. Unfortunately, this scene is easily the best of the film, and the movie ultimately falls apart after that. Unfortunately, there is no escape from me giving this movie a poor review. It’s so bad that it’s not even the best movie named No Escape. The 1994 Ray Liotta effort was much better and more deserving of your time.
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Straight Outta Compton (2015)
Straight outta Compton and straight into the Oscar buzz. It’s early, and I guess this movie is forgotten about come Halloween time (just like most of the great films released in the first eight or nine months of each year are). Still, for right now, this movie is hot with audiences (over $100 million grossed after eight days) and critics (89% fresh on Rotten Tomatoes) as just about any other movie of the year. As I will explain in my review below, Straight Outta Compton didn’t do anything (besides the music itself) that was amazing on its own, but it did do just about everything well. I wouldn’t call it the surprise hit of the year as many other movies flew much further under the radar (Ex Machina and The Gift are the two that come to mind for me). Still, it was perhaps a movie that had the potential to be very good or very bad depending on the acting, which part of the story would be told, and, most importantly, the movie’s direction. I’ll talk more about F. Gary Gray (The Negotiator, The Italian Job) later in the review, but, long story short, he nailed it. Straight Outta Compton was his most challenging work to date and his most impressive and, while I think it’s an extreme long shot based on the history of the Academy and its voting, his name could still be swirling around as a dark horse for Best Director come December.
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Ant-Man (2015)
I’ll preface this review by saying that I enjoyed Ant-Man, but that I know that if I do end up seeing Ant-Man 2, I will not enjoy it. I say that because traditionally I like superhero origin stories (except for when that same character gets retold over and over and over again like Superman, which…on a side note, I have yet to see a Superman movie that I’ve even remotely enjoyed, but that I am expecting HUGE things from Batman v Superman: Dawn of Justice). However, as with over 90% of movies that have sequels, superhero movies generally get worse (usually much worse) with each subsequent release. Of course, there are exceptions. Batman Begins was fantastic, but The Dark Knight is possibly the greatest superhero movie ever made. Iron Man and Spider-Man are both amazing movies, but there wasn’t much drop-off to Iron Man 2 or Spider-Man 2. Now Iron Man 3 and Spider-Man 3 were both much worse. But when you think about it, when is the 5th, 4th, or 3rd movie of a franchise ever really the best one? Hardly ever. 90% of the time, it’s the first franchise movie that is the best. I wish viewer franchises would make movies. I wish even fewer movies would be remade. But that is a different topic for another day. Regarding Ant-Man, the best thing that it had going for it was its originality. I cannot think of a scenario where Ant-Man 2 would have any originality that this first movie had. But, of course, we know Ant-Man 2 is coming. And then Ant-Man will probably end up in The Avengers movies, and I’ll look back on this first movie less positively.
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