“Sometimes, the wrong train will get you to the right station.” These yearning words of wisdom spoken so matter-of-factly by Ila (Nimrat Kaur – One Night With the King), a lonely yet hopeful housewife in Ritesh Batra’s directorial debut, The Lunchbox, quite simply the best movie through the first eight months of 2014. I am uncertain if this movie will be nominated for a Best Foreign Language Academy Award. I hope it will be so that more people will know about it. If it is not, I am not sure I would have ever known about it, let alone see it, if not recommended by my friend David. It further reinforces my appreciation for movie recommendations.
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Category Archives: Year of Release
Mama (2013)
Mama was, by all accounts, supposed to be THE horror movie of 2013. The various trailers with the two little girls and the long stringy hair covering their faces walking up and down walls, sleeping underneath their beds, and possessing the characteristics of a wild animal were sure to get the hairs on the back of your neck up. Attaching Guillermo del Toro’s name to the credits as a producer doesn’t hurt the scare factor either. Mama was another movie that forced me to buy into the hype. It looked like my kind of movie. It starred one of my favorite actresses, Jessica Chastain (Zero Dark Thirty, The Help), and it appeared creepy. This movie looked like a winner. It also didn’t hurt when my high school students said, after opening weekend, that it was both “good” and “scary.” Well…the movie wasn’t good, but it did have its share of scary moments. There wasn’t anything unexpected, but there were still moments when you felt like you were sitting on pins and needles. Off the top of my head, I’m not sure what the scariest movie of 2013 was, but it certainly was not Mama.
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Thanks For Sharing (2013)
Stuart Blumberg’s Thanks For Sharing is a much softer and more humane look at the trials and tribulations of sexual addiction than is Steve McQueen’s 2011 Shame. Both movies broach this once taboo topic with relatively deep character studies. While both films tell fairly compelling stories, neither earned much at the box office. Together, the two movies generated just over $4 million domestically. I think that fact that these two movies were both made over two years and the two attracted stars like Mark Ruffalo, Gwyneth Paltrow, Tim Robbins, Michael Fassbender, and Carey Mulligan shows that there are those in Hollywood who want to bring the issue come to light even if the general public is still a little reluctant to make it to the theater to check out these movies on the big screen.
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Non-Stop (2014)
Liam Neeson (Schindler’s List, Taken) continues his one great movie, one terrible movie, one great movie, one terrible movie streak with the intense Non-Stop, perhaps the second most exciting airplane movie ever made (and no, I’m not ranking it behind Snakes on a Plane). I think Air Force One set the standard back in 1997, but Non-Stop is precisely that…nonstop. It’ll keep you glued to the screen for its 1 hour 47 minute running time. Is this movie plausible? Absolutely not. Does that deter from the experience? Only if you’ll let it. Are the coincidences totally out of control? Of course, they are. But if you want to be entertained with an action-oriented whodunit, you could do much worse. I wish I had seen this movie on the big screen. So far, 2014 has been terrible for film, but Non-Stop is the best movie of the year’s first half.
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The Internship (2013)
The most overlooked movie of 2013 may have been Shawn Levy’s (Date Night, Night at the Museum) The Internship. The film reunited Vince Vaughn (Dodgeball, Old School) and Owen Wilson (Hall Pass, Midnight in Paris) for the first time since 2005’s box office mega-hit Wedding Crashers. Fans had been asking for the two to reunite for a movie. Many were calling for a Wedding Crashers 2. It was one of those scenarios where no matter what the pair decided to do, it was destined for failure because it would not be able to live up to the hype. In a way, it’s as if The Internship never got its fair chance, and I include putting myself in that lump sum. I remember when I first saw the trailer for the movie. I was utterly disappointed at the end of the trailer when I saw that the film was only PG-13. I was ready for some R-rated comedy between the duo. I wanted it to be as raunchy as Wedding Crashers. Unless the reviews for the movie were incredible, I knew I was unlikely to see the film in the theater, if at all, because of a rating that I deemed unacceptable for a Vaughn/Wilson comedy. However, I did decide to give it a go when it came on HBO, and I’m so glad I did. It’s a comic gem.
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