A Beautiful Day in the Neighborhood, the much-anticipated biopic about Mister Rogers and his television show, isn’t so much about the man as it is about a story about a man coming to terms with the life he has, letting go of the anger he carries, and becoming the husband and father that he knows he can and wants to be. It’s an interesting take on a trailer that makes you think that this film will be all about Fred Rogers’ (Tom Hanks – Cast Away, Captain Phillips) life on and off the camera. And to an extent, that’s true, but that is not the focal point of A Beautiful Day in the Neighborhood.
Ford v Ferrari (2019)
James Mangold’s (Logan, Walk the Line) Ford v Ferrari is the perfect movie to see in the theatre. It has action. It has drama. It has a clear protagonist. It makes you want to stand up and cheer for the good guys. This racing movie is much better viewed on the big screen than on a small screen at home. Likewise, a movie theater’s surround system is a better experience than any surround system you might have at home. With that said, this movie has gotten much better acclaim (91% critics, 98% audience on Rotten Tomatoes) than it probably deserved. I haven’t seen many racecar movies, but this movie fails compared to a film like Rush. However, this is a good and highly entertaining movie.
Children of Men (2007)
A decade before Alfonso Cuaron (Gravity, Roma) was winning Oscars for Best Director, he directed the critically acclaimed and now cult classic Children of Men, a post-apocalyptic thriller set in 2027 Britain. In this dystopian world, it has been 18 years since the most recent human has been born. Humans have become incapable of reproducing for reasons unknown, resulting in a global fear that the extinction of our species is imminent. England is now the one remaining civilized society on the entire planet, making it a place where everyone can immigrate. The borders are strong, but people still illegally enter. Those caught are promptly placed into refugee camps. While this scenario may seem completely foreign to many of us, it should be a fear in our minds that lawlessness is entirely possible, and situations like these are already happening (though not globally) in many of our smaller countries that cannot defend themselves.
Honey Boy (2019)
Ruthless, raw, and honest. That describes to a tee Alma Har’el (LoveTrue, 11/8/16) Honey Boy, the film based on writer Shai LaBeouf’s (The Peanut Butter Falcon, Borg Vs. McEnroe) own childhood experiences with his father. Showcasing events over two time periods, the 2005 version of Otis Lort (Lucas Hedges – Manchester by the Sea, Ben Is Back) is a 22-year-old, rising movie star who has had violent, alcohol-induced brushes with the law. His latest DUI has landed him in a court-ordered rehab, where he is diagnosed with Post Traumatic Stress Disorder (PTSD), something which he steadily denies. As part of his therapy, he is pressed by his counselor (Laura San Giacomo – Havoc, Sex, Lies, and Videotape) to dig deeper and pen out the events in his life that have led him to this point. At this point, we continually go back and forth between the 1995 and 2005 timelines.
Light of My Life (2019)
When you begin watching Light of My Life, you might feel like you’ve seen this movie before, or at least a variation of it. If you are like me, you’ll feel like this is a mixture of The Road meets Leave No Trace meets A Quiet Place meets Children of Men. After reading several different reviews, many other critics have a similar sentiment. Somewhere in the not-too-distant future, we are in a post-apocalyptic world where something horrific has already happened, and we are left with inventive survivors who are left to pick up the pieces and make a semblance of their new lives. In these types of movies, we learn that what has happened to get us to this point will slowly be revealed throughout the movie, often through flashbacks, one of the tools used in this Casey Affleck-directed film.