No Country for Old Men is the most well-received and critically acclaimed adaptation of a Cormac McCarthy (my favorite author) novel. There have been six. The Road is, by far, my favorite McCarthy novel and a movie masterpiece. The others are the slightly underrated All the Pretty Horses, the disappointing box office flop The Counselor, the virtually unseen Child of God, and The Sunset Limited, a film I still need to see. No Country for Old Men is the only McCarthy-adapted film to receive an Oscar, earning eight nominations and four wins, including the first nomination and win in Best Achievement in Directing for Hollywood darlings Joel and Ethan Coen.
Category Archives: Joel Coen
The Tragedy of Macbeth (2021)
Talk about The tragedy of being bored. Now and then, a movie earns more undeserved praise than it is worth because of an established director securing multiple acting heavyweights. The most recent example I can think of was in 2017 when Steven Spielberg combined with Meryl Streep and Tom Hanks for The Post; the movie was dubbed an Oscar lock, especially after 2015’s fantastic movie Spotlight (also about a newspaper reporting a highly publicized scandal) received six Academy Award nominations, including two wins. Drab, The Post failed to meet expectations, earning just six Academy Award nominations and winning just two.
Unbroken (2014)
In my opinion, the two best series of trailers for 2014 have been Unbroken and American Sniper. These were two of, if not the, most anticipated movies of the year for more. I apologize to Foxcatcher, which had a fantastic trailer and was a movie I was looking forward to. It not only met but exceeded expectations. These two Christmas Day movies have had me buzzing for months. Unfortunately, as the reviews began pouring in, I realized these movies would probably fall short of expectations. American Sniper is currently in the 70% range on Rotten Tomatoes, while Unbroken was way down at around 50%. I have not yet seen American Sniper, but based on the small reviews I have read, I believe I know where it was going to fall short. I think that if outsiders had screened this movie before its completion, there could have been some influence on the film’s sequencing that would better tell Chris Kyle’s story after his tours of duty. Again, this is my prediction before viewing the movie, but I have a feeling I’m going to say that it was a good movie that could have potentially been in my top ten of all time. Unfortunately, I did not feel the same way about Unbroken. The trailer didn’t live up to the movie, and I’m not sure any editing could have changed that. I found this movie to be very disappointing.
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Inside Llewyn Davis (2013)
For every one of their blockbusters (True Grit, No Country For Old Men) or every one of their movies with grandiose, almost absurd plots (Fargo, Miller’s Crossing), there are the more subtle, lesser-watched but still critically acclaimed movies (A Serious Man, The Man Who Wasn’t There) by director brothers Joel Coen and Ethan Coen. In the mold of this last type of genre comes their first effort in three years, the simple yet thought-provoking Inside Llewyn Davis, a film that stars Oscar Isaac (Drive, Robin Hood) in, perhaps, the surprise performance of the year and the role that will land this talented young actor many more opportunities.
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True Grit (2010)
I am the first to admit that I am not as big a fan of Joel and Ethan Coen-directed movies as most people are. While I did enjoy Fargo (1996) and A Single Man (2009), I wouldn’t say I liked Miller’s Crossing (1990) and Barton Fink (1991). While I thought No Country for Old Men was pretty good, it was not close to being the best movie from 2007. Then there are the other Coen-directed movies I would prefer to see. These include Burn After Reading (2008), The Ladykillers (2007), Intolerable Cruelty (2003), or O Brother, Where Art Though? (2000). I appreciate a good Western. Once True Grit was nominated for a Best Picture Academy Award, it became a no-brainer that I saw the movie, despite my reservations about the Coens.