In an interview with Inverse to promote his 2021 horror film Antlers, director Scott Cooper said, “I tend never to make the same film in the same genre. The great danger as a filmmaker is in doing safe work. I always like to be in an uncomfortable space.” While admirable, if you can do something really well, there is also the argument to stay within that genre as you continue to perfect your craft. Antlers is the fifth film directed by Cooper and the first one that dips outside the norms of reality. Three of his first four (Out of the Furnace, Crazy Heart, Hostiles) finished in my End of Year Top 3, while his fourth (Black Mass) was a movie I did not enjoy. Antlers was far better than Black Mass, but it is not a candidate to finish in my Top 10 Movies of 2021.
Category Archives: Scott Cooper
Hostiles (2017)
The very first scene of Scott Cooper’s (Crazy Heart, Out of the Furnace) under-the-radar Hostiles lets you know one thing right off the bat. We get a 10-minute scene where a four-person group of Comanche warriors comes rolling out of nowhere and attacks a family of five in the brutalist of fashions before burning down the ranch and taking off with their horses. After this scene, the title Hostiles pops up on the screen, and we quickly know that we are in for something different than Will Smith’s Wild Wild West. This movie is not for the weak at heart. If you do not like tragedy, this film is not for you. If you have the stomach for, sometimes, senseless killing, characters who carry anger so deep that it burns their souls and guilt so heavy that it tears lives apart, then this movie could be for you. If you crave a good old-fashioned western, this movie will suffice. And if you want to see A-listers like Christian Bale (The Fighter, The Dark Knight Rises), Rosamund Pike (Gone Girl, A United Kingdom), Jesse Plemons (The Post, Other People), Timothee Chalamet (Call Me By Your Name, Lady Bird) and Ben Foster (Hell or High Water, Lone Survivor) continue to cement their names in Hollywood then you can’t go wrong with Hostiles, easily one of the five best movies of 2017. Though it’s unlikely to dethrone Wind River for me, it’s doing its best to make a case in the 11th hour.
Black Mass (2015)
Black Mass? More like Black Mess. This movie was not just a story that most of us could care less about, but it’s boring. It reminded me of American Hustle in that it was set in the same time period; it had a fantastic cast and, most importantly, the high expectations coming into it. I wouldn’t say that this movie was as disappointing because it didn’t have the Oscar expectations going into it as American Hustle did. Nonetheless, like the Christian Bale-led movie, I expected big things from this Johnny (Finding Neverland, Chocolat) endeavor. I don’t know if this movie was trying to be a combination of The Godfather/The Departed/Public Enemies and others, but it didn’t succeed outside of making Depp look like an old Jack Nicholson. I liked seeing Depp outside of the quirky roles he has been performing in as of late. And while he was pretty good, I did feel like the movie was brought down, in part, to how boring his character was. Unlike American Hustle, in which the performances were good (yet still overrated), the performances in Black Mass were flat. A terrific cast is wasted here. It is a disappointing movie in every sense of the word.
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Out of the Furnace (2013)
Finally, a gritty drama for 2013 to win you over with complex characters and excellent acting performances. This movie is, first and foremost, about flawed characters who want to do the right thing but don’t always know how. Well…I say that except for Woody Harrelson’s (The Messenger, Rampart) character. He is as vile, violent, and rotten to the core as he’s ever been. There are no redeeming qualities in Harrelson’s portrayal of Harlan DeGroat, a fight organizer/crystal meth dealer who drinks way too much, dabbles a little too much in his product, and looks to physically hurt anyone and every one every time they do anything to set him off, regardless of what it is. He is a ruthless jerk to the nth degree. Unfortunately, he plays his role perfectly. Without giving anything away, he dominates the movie’s first scene and makes him the person we are to fear for the next two hours.
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Crazy Heart (2009)
Roger Ebert said it best in his review of Crazy Heart about lead actor Jeff Bridges’ performance when he said, “The notion of a broke-down, boozy country singer is an archetype in pop culture. We’ve seen this story before. The difference is, Bad Blake makes us believe it happened to him.” It’s such a simple statement, but so true. Bridges (Tron, The Big Lebowski) gives the performance of his legendary career and, rightfully so, his first Academy Award win. He is the highlight of a very good, albeit flawed, movie.