I remember surfing the cable channels one night in the early 2010s when I came across a quaint little movie about an aspiring writer and his attempts to overcome family adversity and escape from the mundane life he felt destined to live. The film was Carl Bessai’s coming-of-age Cole. I remember liking this movie so much that I tried diligently year after year to find a way to add it to my DVD collection. Not only did the task feel impossible, I couldn’t even find a way to rewatch it. It wasn’t available on Netflix or Amazon Prime. Most of the other common streaming services had yet to be established. As my goal is to own the DVD of my top ten favorite movies of each year, I was determined to find this missing piece to complete my 2009 collection. When I randomly found it on Amazon Prime in 2023, I wasted no time renting it. It turns out I would have been better served not seeing the film a second time. Not only has it not aged well, Cole is not nearly as good as I remembered it.
Category Archives: 2009
Taking Chance (2009)
Taking Chance is a tender little movie that most people have probably never heard of, let alone given the inclination to give it a watch. Quietly released by HBO in early 2009, first-time director Ross Katz debuts a gem of a based on actual events movie about a high-ranking marine officer escorting the slain body of a soldier home to his final resting place after the young man was killed in action during Operation: Iraqi Freedom.
The Messenger (2009)
Somewhere inside Oren Moverman’s (Time Out of Mind, Rampart), The Messenger is a pretty good movie. It has the right tone. It has the right cast. It has the right setting. It has the right director. It just has the wrong plot. Well, I shouldn’t say it has the wrong plot, but I should say that the plot is a bit flawed. And it’s not even faulty so much as it is incongruent. It follows a timeline that we are uncertain of. Does this movie take place over a few weeks, a few months, a little bit more, or somewhere in between. It’s an integral part of the story to know the movie’s time frame because it helps us justify or not justify some of the actions of its characters. The longer the period that this movie takes place, the more likely it is for me to believe the story. The shorter it is, the less likely I am. The reason for this is the characters change too much. And I am not saying people can’t change over a short period, but it seems a stretch for all characters to change how they did in that brief period. But the time frame is never stated. It is implied to be three months, but it isn’t conclusive. For me, it doesn’t help the movie. It leaves me with the burning question of when to go from start to finish.
The Hurt Locker (2009)
“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
2009’s The Hurt Locker is absolutely one of the finest movies ever made. It was completely gripping in its year of release and is a movie that will remain relevant until the end of time. It was monumental that director Kathryn Bigelow (Point Break, Zero Dark Thirty) became the first woman to win the Academy Award for Best Director and the first woman to direct a Best Picture of the Year. It only took 80 years…Just as impressive, and a large credit goes to Bigelow, was the breakout performance for two future Hollywood A-listers in Jeremy Renner (The Town, Wind River) and Anthony Mackie (The Adjustment Bureau, Triple 9). Ironically, both have landed themselves as Avengers characters, something I will touch on later in this review. There have been many excellent movies about the war in Iraq (Stop-Loss, The Green Zone, The Messenger, Grace Is Gone, Lions for Lambs, In the Valley of Elah, Jarhead), The Hurt Locker is second, falling just behind Clint Eastwood’s American Sniper. And it’s close. Each is a film that showed be watched multiple times. Each had a lead that hit his performance completely out of the park, each had incredible direction, and each had a chilling score that could be listened to on a quiet night on the couch at home. It is, without a doubt, a movie that should be viewed by anyone who enjoys/appreciates war movies.
An Education (2009)
Set in 1961 England, Carey Mulligan’s (Shame, Drive) breakout performance in Lone Scherfig (One Day, Their Finest) is a movie that resonates in a way that is completely independent of its time frame as well as location. Does this mean it’s a timeless classic? Well, when I think of timeless classics, I think of very different films than An Education. This beautiful film was on pace to be a timeless classic, one where everything is fine and dandy and one that I probably would not have enjoyed as much if not for a late twist. The setting of 1960s Europe doesn’t exactly perk my interest. If, as I write this in 2018, in my early 40’s when I am much more into the independents than I am the big blockbusters, the synopsis for this film doesn’t attract, I can only imagine what I thought going into it back in 2009. I honestly have no idea what piqued my interest in this movie or what even got me past the first 15 minutes. Sure, a 95% fresh rating on Rotten Tomatoes will have some positive effect, but even that can only carry me so far. Whatever it was that encouraged me to continue with this movie even, when I suspect that I thought I was getting into some variation of Pride and Prejudice, Atonement, or one of the many other Keira Knightley movies, I am grateful. I want to say that this movie had a lasting impact on me because it did. However, upon watching it for a second time, with an eight-year gap between viewings, I can unequivocally say that how I thought I remembered this movie was considerably different than what actually happened. I think I like it the same, though I feel differently about it, especially how I view the final act.
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