Name a movie that you like much more than you should. I could rattle off dozens, and right at the top of that list might be the incredibly flawed yet thoroughly engrossing The Butterfly Effect, the supernatural thriller co-directed by J Mackye Gruber and Eric Bress. This movie could be better with each subsequent viewing, but it still gets the job done. I watch it every four or five years. It captivates me each time, though I pick it apart more. It’s not a criticism but rather an observation. This is a movie that I admire. I enjoy its dark themes.
Category Archives: 2004
Eternal Sunshine of the Spotless Mind (2004)
Sad memories are the worst kind. Of all the memories, these are the ones that can flip the switch of a day at a moment’s notice. It could be the waft of a familiar fragrance once worn by a significant other who has since left your life. Or it might be a forgotten song that pops up on a playlist, instantly transporting you to the time and place you first heard it. Or perhaps it’s a photo, once a bookmark now wedged between a pair of books, that falls to the floor when reorganizing a room and evokes a memory you weren’t prepared to face on a particular day. If we could rid ourselves of our sad memories so that we no longer need to experience the pain associated with them, would we? Some of us would do this in a heartbeat, while others would never choose to do something so drastic. Most of us lie in between, and our resiliency to these emotional triggers places us somewhere along that spectrum. Michel Gondry’s (The Green Hornet, Be Kind Rewind) universally revered cult classic Eternal Sunshine of the Spotless Mind.
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Maria Full of Grace (2004)
Joshua Marston’s (The Forgiveness of Blood) Maria Full of Grace is one of the best foreign-language films I’ve ever seen. Unfortunately, I watched this movie on the heels of another foreign language film (A Girl Walks Home At Night), which, despite the 95% fresh on Rotten Tomatoes, I thought was an incredibly dull film and one I had no interest in reviewing. So I was a little uncertain about watching another subtitled movie the next day, but I am happy I gave it a fair chance. It’s a great movie that tells a heart-wrenching and believable story.
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Closer (2004)
What a depressing movie Mike Nichols’s Closer was. And this is coming from a guy who loves this genre. But I’m not a fan of movies where all of the lead characters intentionally hurt other people just so they can feel better about themselves, just like I’m not a fan of people hurting other people intentionally in real life. But this movie was all of that and a bag of chips. I THINK I knew that was going on. I remember seeing previews for this way back in 2004 and thinking that this was not a movie that I had any interest in seeing. It made me think of the Woody Harrelson/Demi Moore movie Indecent Proposal for some reason, a film that I saw in theater at age 17 that I had no business seeing as a 17-year-old. Talk about a couple of movies that destroy the sanctity of marriage. So while this movie held my interest, primarily because of the actors involved, it’s a movie I’ll remember for a while that I wish I could forget instantly.
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The Door in the Floor (2004)
Sometimes, life doesn’t go as planned, and sometimes, we have to find ways to deal with these events, which is the theme of the drama/comedy The Door In The Floor (2004). Jeff Bridges (Crazy Heart, True Grit) and Kim Basinger (L.A. Confidential, 8 Mile) are at the top of their game as parents who have fallen out of love with each other following the deaths of their teenage sons. Tod Williams effectively adapts the first third of the John Irving novel “A Widow For One Year” in his directorial debut.