Ray, it is not. Walk the Line, it is not. Straight Out of Compton, it is not. Bohemian Rhapsody it is not. Baz Luhrmann’s Elvis (Moulin Rouge, The Great Gatsby) is slightly better than the disappointing Rocketman. The highly-anticipated Austin Butler-led (Once Upon a Time… In Hollywood, The Bling Ring) biopic had lofty expectations, considering that it was the one that the Presley family agreed was the true reckoning of Elvis’s life and legacy. While engaging for its lengthy 159-minute run-time, the film often felt disjointed and needed direction. With its shifting narrative, viewers often wondered if this movie was about Elvis Presley or more about Colonel Tom Parker (Tom Hanks –Captain Phillips, Sully), his deceitful, longtime manager.
Category Archives: Biopic
Being the Ricardos (2021)
Meh. There are many better movies to see this year than Aaron Sorkin’s (The Trial of the Chicago 7, Molly’s Game) Being the Ricardos. However, the 2021 Academy Award nominees seem more prominent regarding name recognition than in prior years. Movies that in previous years likely wouldn’t have sniffed a nomination are likely to get multiples this year. Being the Ricardos, with Sorkin and Academy favorites, four-time Oscar nominee Nicole Kidman (The Others, Lion) and three-time nominee Javier Bardem (Biutiful, No Country for Old Men) will receive recognition. Kidman will get a nomination for acting (though she has no chance of winning), but Bardem will not. The film could receive a best-picture nomination, making me cringe.
House of Gucci (2021)
I have been hesitant to want to claim that movies are progressively getting worse. However, it’s starting to get to the point where there are only a few outstanding films each year, whereas there would be upward of a dozen in the past. Last year, the best movies were Promising Young Woman and News of the World, two that, while suitable, wouldn’t have even made my Top 10 a decade ago. This year might even be worse. As we enter December, the best movie I’ve seen is a quiet little movie called Blue Bayou, which could get some late Oscar buzz, but it’s unlikely to sneak into the top lists of critics like Sound of Metal did a year ago. Likewise, movies such as The Last Duel, The Eyes of Tammy Faye, and King Richard have had some excellent individual acting performances but have underwhelmed as a whole. The same can be said of Ridley Scott’s (Alien, Black Hawk Down) flat House of Gucci.
King Richard (2021)
Go ahead and now give the Academy Award for Best Lead Actor to Will Smith (Ali, The Pursuit of Happyness). It might not be a far-off assumption as we are on the cusp of Oscar season. I would wait to hedge my bets in Vegas entirely, but it might be worth taking a flyer without knowing much about the other players who might be up for the award. Smith gives the best performance in his storied career as Richard, the father of (then) future tennis greats Venus Williams and Serena Williams in Reinaldo Marcus Green’s (Joe Bell, Monsters and Men) King Richard.
The Eyes of Tammy Faye (2021)
Jessica Chastain (Molly’s Game, Zero Dark Thirty) is attempting to become the second actress to win a Lead Actress Oscar and a Lead Actress Emmy in the same year. After just two episodes of the five-part HBO miniseries Scenes from a Marriage, Chastain seems like a shoo-in to win an Emmy for her role as Mira, a middle-aged wife, opposite Oscar Isaac. The latter encounters some of the most challenging struggles a married person might ever have. It’s a hard-hitting, riveting drama that could sweep awards season in the miniseries category. Chastain further showcases her acting prowess as Tammy Fay Baker, the televangelist and our protagonist in Michael Showalter’s (The Big Sick, Hello, My Name is Doris).