2010 could live forever as the best year for movie releases in my lifetime. As I write this today (April 22, 2023), I, sadly but more confidently, feel like the years when we have two to three dozen quality movies are forever gone. With the advent of streaming television shows and series and an established vast array of cable programming, the cinematic single-viewing experience may be left to blockbuster-type movies. There have been no better examples than 2020, which I had discussed in previous reviews was the worst year of film in my lifetime, only for that argument to be surpassed by the 2021 cumulative list of below-average movies. 2021 is the first year when none of the Best Picture nominees will be in my end-of-year top ten list. Rewatching a film like The Social Network, despite receiving a 100% review, was just my fourth favorite movie of 2010. This would have been my favorite movie in many other years. Still, with The Town (my second favorite movie of all time) and the incredible Blue Valentine and Shutter Island, even a perfect film finished outside my top three.
Category Archives: Andrew Garfield
The Eyes of Tammy Faye (2021)
Jessica Chastain (Molly’s Game, Zero Dark Thirty) is attempting to become the second actress to win a Lead Actress Oscar and a Lead Actress Emmy in the same year. After just two episodes of the five-part HBO miniseries Scenes from a Marriage, Chastain seems like a shoo-in to win an Emmy for her role as Mira, a middle-aged wife, opposite Oscar Isaac. The latter encounters some of the most challenging struggles a married person might ever have. It’s a hard-hitting, riveting drama that could sweep awards season in the miniseries category. Chastain further showcases her acting prowess as Tammy Fay Baker, the televangelist and our protagonist in Michael Showalter’s (The Big Sick, Hello, My Name is Doris).
Hacksaw Ridge (2016)
Hacksaw Ridge > Saving Private Ryan.
After my theater viewing of Mel Gibson’s (Braveheart, The Passion of the Christ) newest film, that was my claim. I’ve since slept on this, but I really should have watched it again. Nonetheless, it doesn’t take away from Gibson’s film. Hacksaw Ridge was based on a true story, whereas Saving Private Ryan was not. For me, when all else is equal, it nods to the more factual-based one. Saving Private Ryan was an amazing movie. The Invasion of Normandy Omaha Beach to open the movie was one of the most captivating and memorable action sequences in film history. When I claimed that Hacksaw Ridge was a better movie, I almost inserted the caveat that “outside of the opening 30 minutes of Saving Private Ryan, Hacksaw Ridge is a better movie.” But that seemed like a copout. I couldn’t spoil it with some condition that limited my case. Continue reading Hacksaw Ridge (2016)
99 Homes (2015)
99 Homes was a movie I was confident I was going to love. I was wrong. It was good, but not great. It had unavoidable flaws. Even with the most accomplished director, I don’t think it could have avoided some of its pitfalls and still fit in a two-hour time frame. Just like an unusually high number of films that I’ve seen this year, I knew very little about this movie going in. My knowledge of the film was reduced to knowing that it starred Andrew Garfield (The Amazing Spider-Man, The Social Network) and Michael Shannon (Take Shelter, The Harvest), that it was a heavy R-rated drama based on home foreclosures, and that it was scoring a 90% on Rotten Tomatoes at its time of release. I hadn’t seen a single preview of the movie, but what I did know about it was enough for me to see this movie. There was a 100% chance I would see this movie in the theater. While I think this is a pretty good movie, it does not need a theater viewing. It’s not going to win any awards. If you get a chance to see it on Netflix or cable, give it a shot. You may not love it, but I think it’ll grab your attention. While it is predictable and gets in its own way, it is a tense and engrossing film. Furthermore, it continues to showcase Shannon’s dominating screen presence. Love him or hate him, he creates memorable characters.
Lions for Lambs (2007)
I think when I first saw the trailers for director Robert Redford’s (Quiz Show, A River Runs Through It) Lions for Lambs, I thought it was a movie I had to see. The previews made the film look exciting, and it was loaded with A-list actors. Well, when the commercials for the movie became 15-second clips after the first week and the movie scored a whopping 27% fresh on Rotten Tomatoes, the need to see it quickly waned. The movie earned just $15 million at the box office. Box office earnings don’t necessarily represent the quality of a film, but this movie hoped to garner a lot of money. While the production costs of this movie were low (I’ll explain below), stars like Meryl Streep and Tom Cruise commanded high-dollar figures for their appearances. This wasn’t a little indie movie. MGM produced this movie. On top of a film that was received so poorly by critics was a plot (stories about the war in the Middle East, especially political-driven ones) that had consistently kept moviegoers away back in the early 2000s. Lions for Lambs was a decent movie, but certainly not a great one. And it was by no means as exciting and as drama-filled as the trailers portrayed it to be. Lions for Lambs is a dialogue-driven movie and one that succeeds because it was chalked full of such great actors.
Continue reading Lions for Lambs (2007)