In a summer movie season that has seen the unlikely pairing of Oppenheimerand Barbie dominate the box office, two surefire franchises have found it a bit more difficult than anticipated to generate sales. While Oppenheimerand Barbie have both faired well with critics and audiences, Christopher McQuarrie’s (The Way of the Gun, Jack Reacher) Mission Impossible: Dead Reckoning Part One has scored just as well, but whose box office revenue may have been slighted due to the Oppenheimer/Barbie dual release date two weeks after. It may have made the Mission Impossible franchise’s seventh movie out of sight, out of mind a little too quickly. Dead Reckoning Part One is a film that should be seen in the theater, which many will agree with. Saying that it is better than Oppenheimerand Barbie is an unpopular opinion but one that I believe to be true. The novelty of Oppenheimerand Barbie is undoubtedly an allure over the seventh installment of a franchise and is something I do understand and appreciate. However, as a whole, I found Dead Reckoning Part One to be far more entertaining and better executed.
A movie that didn’t need to be made often will benefit from the doubt if that same movie pays due diligence and does the movie right. Those wondering why we need a Joker origin story when there is a perfect origin story in The Dark Knight (one of the 25 best movies ever made) should find some relief in knowing that the Christopher Nolan trilogy story will not be confused with Todd Phillips’ (War Dogs, Old School) Joker. This film never mentions the word Batman nor refers to anything related to, perhaps, the most iconic comic book franchise of all time other than references to Gotham City and a billionaire businessman named Thomas Wayne.
Adam McKay’s (The Big Short, Anchorman – The Legend Of Ron Burgundy) Vice almost suffered from a trailer that depicted a movie that looked like a spoof. With The Killers’ hit song Who’s The Man playing in the background and a nearly unrecognizable Christian Bale (Hostiles, American Hustle) almost dancing to the beat in between intermittent lines of him hyping himself up or talking about how he’s going to break all the rules when he becomes Vice President of the United States, McKay’s latest movie plays more like the Will Ferrell/Zach Galifianakis underrated comedy The Campaign that it does a biopic in the realm of Nixon, Lincoln, or Thirteen Days. Its nomination category at this year’s Golden Globe awards was “Comedy.” But while Vice is constantly entertaining and is filmed in a way that, at times, feels like a mockumentary, it is very much a drama, one that you’ll sometimes feel guilty laughing at even during the moments that are meant to be humorous. Continue reading Vice (2018)→
It takes a long, long time to land on the moon. So much can be said for the research, development, and execution of the Apollo 11 spacecraft on the lunar surface on July 21, 1969. Much can also be said of Damien Chazelle’s (La La Land, Whiplash) lackluster First Man. Maybe Chazelle should go back to writing his own screenplays. After earning Oscar nominations (adapted for Whiplash, original for La La Land) for his first two directed movies, Chazelle picked up Josh Singer’s (Spotlight, The Post) for his third directorial effort. Unfortunately, the culmination likely didn’t do either man any favors. First Man seemed to lack want, energy, and originality and frequently veered into downright disinterest in its characters and outright boredom. While the film has resonated with critics (88%), there is a sharp dropoff in audience score (66%). While the accomplishment in First Man is an important story that needed to be told in this medium (particularly to those who weren’t even born when this achievement happened, I think it should have been spearheaded by a director who is more seasoned in the biopic genre or at least had directed a film outside of the music drama genre which has thus far defined his career. Continue reading First Man (2018)→
Sicario: Day of the Soldado, not so much a sequel to 2015’s megahit Sicariothat you have to know exactly what happened in the first one to appreciate the second as it is its standalone movie. The only thing you really need to know to go into the 2018 movie fresh is that (spoiler), the drug war in Mexico has escalated to the point where the United States government is forced to use questionable tactics that force some of its operatives to question the morality of what they are doing and that the US is aided mystifying man with a unique set of skills but a checkered past named Alejandro (Benicio Del Toro – The Hunted, Traffic) whose family is killed after an order by a Mexican Cartel Kingpin named Carlos Reyes. That’s it. This man’s men kill Alejandro’s family, and he wants revenge. If you accidentally read that brief spoiler, shame on you for going at least three years without yet seeing the phenomenal Sicario. And just because I gave a brief spoiler definitely doesn’t mean you shouldn’t check it out if you have not already. Continue reading Sicario: Day of the Soldado (2018)→
In a summer movie season that has seen the unlikely pairing of Oppenheimer and Barbie dominate the box office, two surefire franchises have found it a bit more difficult than anticipated to generate sales. While Oppenheimer and Barbie have both faired well with critics and audiences, Christopher McQuarrie’s (The Way of the Gun, Jack Reacher) Mission Impossible: Dead Reckoning Part One has scored just as well, but whose box office revenue may have been slighted due to the Oppenheimer/Barbie dual release date two weeks after. It may have made the Mission Impossible franchise’s seventh movie out of sight, out of mind a little too quickly. Dead Reckoning Part One is a film that should be seen in the theater, which many will agree with. Saying that it is better than Oppenheimer and Barbie is an unpopular opinion but one that I believe to be true. The novelty of Oppenheimer and Barbie is undoubtedly an allure over the seventh installment of a franchise and is something I do understand and appreciate. However, as a whole, I found Dead Reckoning Part One to be far more entertaining and better executed.
A movie that didn’t need to be made often will benefit from the doubt if that same movie pays due diligence and does the movie right. Those wondering why we need a Joker origin story when there is a perfect origin story in The Dark Knight (one of the 25 best movies ever made) should find some relief in knowing that the Christopher Nolan trilogy story will not be confused with Todd Phillips’ (War Dogs, Old School) Joker. This film never mentions the word Batman nor refers to anything related to, perhaps, the most iconic comic book franchise of all time other than references to Gotham City and a billionaire businessman named Thomas Wayne.