Love it or hate it. There isn’t much middle ground or neutrality regarding Damien Chazelle’s (La La Land, First Man) divisive Babylon, a fantastical look at the debaucherous look at the rise and fall of the Hollywood movie industry during the 1920s. While some might believe its 56% /52 % scores on Rotten Tomatoes suggest it’s an ordinary movie, those average scores may result from people either loving or hating it. I enjoyed the movie. It is far from being in my top ten of the year. With only a couple of 2022 films left to watch, Babylon sits at #16 (out of the 74 2022-released films I’ve seen). It’s a fine film and one that is worth viewing.
Category Archives: Damien Chazelle
First Man (2018)
It takes a long, long time to land on the moon. So much can be said for the research, development, and execution of the Apollo 11 spacecraft on the lunar surface on July 21, 1969. Much can also be said of Damien Chazelle’s (La La Land, Whiplash) lackluster First Man. Maybe Chazelle should go back to writing his own screenplays. After earning Oscar nominations (adapted for Whiplash, original for La La Land) for his first two directed movies, Chazelle picked up Josh Singer’s (Spotlight, The Post) for his third directorial effort. Unfortunately, the culmination likely didn’t do either man any favors. First Man seemed to lack want, energy, and originality and frequently veered into downright disinterest in its characters and outright boredom. While the film has resonated with critics (88%), there is a sharp dropoff in audience score (66%). While the accomplishment in First Man is an important story that needed to be told in this medium (particularly to those who weren’t even born when this achievement happened, I think it should have been spearheaded by a director who is more seasoned in the biopic genre or at least had directed a film outside of the music drama genre which has thus far defined his career.
Continue reading First Man (2018)
La La Land (2016)
Don’t let the first ten minutes of Damien Chazelle’s (Whiplash) La La Land influence you too much. As much as it might seem like West Side Story, Grease, or a host of other musicals, rest assured it is not that kind of movie. Ten minutes in, after a supporting cast of characters who you never see again finished performing a song and dance on top of and around their cars while in a traffic jam on the 105/110 interchange in Los Angeles, CA, I wondered what the heck I had gotten myself into. There was a reason I have never been able to get through Chicago or Moulin Rouge. I am sure that these are fine movies. Heck, Chicago won Best Picture, and Moulin Rouge was a Best Picture nominee. I’m just not into musicals as much as I am into other genres. There is nothing wrong with them (I don’t like animated movies much either), but they just aren’t my cup of tea. I think the only reason I was able to sit through Les Miserables was that my dad had already tricked me into watching it in the theater. My biggest fear was that La La Land would be either all song and dance (implied from the trailers early in the year) or a lot of song and dance (inferred from later previews). However, neither was the case. While there was a lot of music in this film, and it certainly was a musical, it’s not just music. There is so much more. I think if you’re at least willing to give this movie a chance, you’ll enjoy it in some fashion.
Whiplash (2014)
There’s one main reason to see Damien Chazelle’s (Grand Piano) Whiplash. Despite its outstanding 96% fresh rating on Rotten Tomatoes, it’s not a movie that offers anything original. It’s a good film, but not a great movie. However, it does deliver one of the finest (if not the finest) supporting performances of the year. We’ve seen this story in books, on television, and the big screen hundreds of times. The content changes, but the story stays the same…a young person trying to do whatever they can to win the approval of someone they are trying to impress. In this case, the young person is Andrew Neyman (Miles Teller – The Spectacular Now, 21 and Over), a first-year drumming major at New York’s Shaffer Conservatory of Music, one of the top music prep school’s in the country. And the person he is unsuccessfully trying to win over is Terence Fletcher (J.K. Simmons – television’s Oz, television’s The Closer), the school’s most well-known teacher and maestro of the school’s top jazz ensemble. It’s well-known that if you can succeed in Fletcher’s group, you’ve got the potential for a great career as a musician. The movie is good. Continue reading Whiplash (2014)