2011 was a great year for comedies. You had Bridesmaids and Crazy, Stupid, Love., both of which finished in my Top for the year. You also had Horrible Bosses and The Hangover Part II, each of which finished just outside my Top 10. Hall Pass is the fourth great comedy for that year and a movie that will cause me to re-evaluate my list shortly. Right now, I’m uncertain whether this finishes just outside the Top 10 of 2011 or if it finishes ahead of Bridesmaids (my current #3). Wherever it falls, nothing will change the fact that it is a hilarious movie. It’s also a movie I almost did not watch because I didn’t like the concept. I like the raunchy humor movie, but the idea of two wives giving their husbands a week-long hall pass where they could do what they wanted to whoever they wanted didn’t appeal to what I valued in a movie. With that said, I’m glad I gave the movie a chance because it was also a really good movie in addition to being an absolute comic gem.
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Category Archives: 2011
Limitless (2011)
Bradley Cooper, you have a new fan. In the first blockbuster movie of your career that you were asked to carry, you knocked Limitless out of the park. So no longer will I reference you as “one of the guys from The Hangover.” After looking at your filmography, I’ll be the first to tell you that you’ve made terrible career choices, but maybe you were getting your feet wet. Maybe at the ripe age of 34, after eight years of meaningless roles in some of the awful movies of the last decade, including Failure to Launch, Valentine’s Day, Yes Man, Case 39, The A-Team, He’s Just Not That Into You, and, perhaps the cream of the crop, All About Steve, you’ll finally be recognized for what you potentially could bring to a movie. When I first saw the trailer for Limitless, I thought there would be no chance I would see it. But after reading some reviews about it, I added it to my Netflix queue and slowly watched it work to the top of my list.
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We Need to Talk About Kevin (2011)
Wow. We Need to Talk About Kevin is not a movie for everyone. It’s a movie that most people I know could not get through. This movie aimed to educate and encourage discussion about a topic that feels like it is becoming all too familiar. It’s hard to target an audience for this movie. It has two things going against it that might turn viewers within the first 15 minutes or at any point after that. The first and more important one is the topic. This movie tells the story of a mother whose 16-year-old son is in prison after having murdered many of his classmates in a mass killing that resembles the Columbine High School massacre. There will be a large number of people who will not even consider watching a movie based on a topic like this. The second, and far less important, reason, why people might struggle to make it to the end is because of its, at times, randomness. It goes back and forth between the present and past and between real and imagined life. The transitions are inconsistent. If you’ve seen either Melancholia or The Tree of Life, it sometimes has that sort of feel. I liked Melancholia and hated every second of The Tree of Life. However, I gave. We Need to Talk About Kevin a chance. It held my attention for the entire movie.
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Young Adult (2011)
Young Adult is one of those movies that some people will love and some will hate, while others will only be able to decide if they love it or hate it once it concludes. It is more of a polarizing movie than most. People will remember this movie more than they would an average $10 million budget dramedy. This is particularly true for many Generation Xers who can identify with its lead character Mavis (Charlize Theron – Monster, North Country), a woman approaching 40 who is going through a major midlife identity crisis.
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My Week With Marilyn (2011)
Michelle Williams (Blue Valentine, Brokeback Mountain) once again proves she is one of the finest actresses in her generation in Simon Curtis’s endearing drama My Week With Marilyn. Williams shines as Marilyn Monroe. Williams is so good at portraying the perplexing and often misunderstood sex symbol of the 1950s. With her blond hair, red lipstick, recognizable little giggle, and famous wiggle, it is easy to see how boys and men of all ages could fall in love with this woman they knew they would never meet. I can’t think of a better actress who could have played Monroe and the talented Williams.
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