There is a good chance that Trainwreck will go down as the funniest movie of 2015. There doesn’t appear to be a ton of comedies this year, and the one that I was most excited for (Vacation) looks like it’s going to be a dud. Usually, the great comedies of the year are released before September 1st. I have no evidence that backs up this claim, but the good movies reserved for the later portions of the year are the Oscar contenders. It doesn’t mean that there aren’t comedies released in October, November, and December, but there are more average comedies than not. What I am implying here is that the funniest movies of the year have already been released and that Trainwreck seems to be the most amusing of that group. I often mention in my film blog that 2010 was the best movie year of my lifetime. However, there wasn’t that one hilarious comedy you remember from that year. For me, the funniest movie that year was Get Him to the Greek, but that movie had nothing on Trainwreck. Had it been released in 2010, Trainwreck would have made the year that much better.
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The Gift (2015)
Joel Edgerton’s (Warrior, Exodus: Gods and Kings) The Gift is easily the surprise hit of the summer. Creepy and suspenseful, this movie is a clinic in developing characters and fully entrenching viewers in the storyline. I saw the film in a theater that was 75% full, and you could hear a pin drop during its quieter moments. Everyone was all-in on the story, and nobody seemed to know where it was headed because of the oohs and aahs at each new twist. Given its 93% “fresh” rating on Rotten Tomatoes, I did not doubt this movie would be good. However, I did not watch a preview beforehand (on purpose), nor did I know anything about the film other than what someone said the night before my viewing that they had heard it had a crazy twist.
Lions for Lambs (2007)
I think when I first saw the trailers for Robert Redford’s (Quiz Show, A River Runs Through It) Lions for Lambs, I thought it was a movie I had to see. The previews made the film look exciting, and it featured an A-list cast. Well, when the movie’s commercials became 15-second clips after the first week, and it scored a whopping 27% fresh on Rotten Tomatoes, the need to see it quickly waned. The movie earned just $15 million at the box office. Box office earnings don’t necessarily reflect a film’s quality, but this movie was expected to generate significant revenue. While the production costs of this movie were low (I’ll explain below), stars like Meryl Streep and Tom Cruise commanded high-dollar figures for their appearances. This wasn’t a little indie movie. MGM produced this movie. On top of a film that was received so poorly by critics was a plot (stories about the war in the Middle East, especially politically driven ones) that had consistently kept moviegoers away back in the early 2000s. Lions for Lambs was a decent movie, but certainly not a great one. And it was by no means as exciting or as drama-filled as the trailers made it out to be. Lions for Lambs is a dialogue-driven movie that succeeds because of its excellent cast.
North Face (Nordwand) (2010)
If I could describe the German-released movie North Face in just a single word, it would be the word horrific. Based on the true story of a competition to climb the most dangerous rock face in the Swiss Alps, the subtitled movie gets better and better with each passing frame. For those moviegoers who aren’t into subtitled movies, I can sympathize. I tend to groan when I know I’m about to embark on one of those, too. Subtitled movies are ones that you need to prepare for, and, unfortunately, when a subtitled movie is bad, it almost becomes twice as dreadful to trudge through. But, at the same time, I have seen some fantastic foreign-language movies, and North Face ranks right up there with them. And, as with any good subtitled movie, when you are truly engaged, you don’t even notice you are reading the words anymore. I don’t know how I came across this movie, other than the fact that I love a good adventure movie (I am one of those people who tend to separate the adventure genre from the action genre).
The Good Lie (2014)
“Inspired by true events” versus “this is a true story” are two very different things. The first could mean anything. It’s harder to get upset when you find out fact and fiction don’t always meet eye to eye. However, when told that what you are about to see is a true story, only to find out later that facts (both minor and major) have changed along the way, you have the right to get a bit more upset. Actual events inspire The Good Lie. And while they bring light to a critical issue, the character story was primarily fictional, as far as I can tell. Now, this brings up an interesting conversation. Would you rather see a strictly factual movie that doesn’t tell the most exciting story, or one based on an actual situation but with, for the most part, specific characters and conditions that are more fictionalized?