As I mentioned near the end of my review on Divergent, what is Kate Winslet (The Reader, Little Children) doing in a movie franchise like this? Anybody could have played the role of this minor character. There isn’t any depth to her character. The movie isn’t going to win any awards. And Winslet could be spending her time in films that showcase her acting prowess. I understand it from the film’s standpoint. Why not get another big name? Even if it costs 10+ times as much money as getting an unknown actor, it makes sense. The movie covers its costs in the first week or two anyway.
I’ve always come back to the fact that appearing in movies such as Insurgent allows her to sustain her way of life to take on more roles in independent films that can’t afford to pay her as much because they won’t make as much at the box office. And if this is the reason, then I am cool with it. I am willing to give Naomi Watts (The Ring, The Impossible), who also appears in this movie, the same leeway. It does bother me that these talented actresses are merely supporting less-talented actors and actresses in a film that relies on young-adult fantasy and adventure scenes rather than their leads’ performances. Nonetheless, I’m willing to accept this, hoping that Winslet and Watts will continue to deliver Oscar-contending performances in future films.
Dark humor movies aren’t my thing. They have never been. They never will be. I want my comedies to be funny. I want my dramas to be full of drama. I do like a lot of dramedies, but dark humor movies don’t fall into that category. I also like movies that make me think, keep me entertained, or, preferably, both. Jon Watts’s (The Amazing Spider-Man 3, Clown) Cop Car did neither of these things for me. While I understand there are many critics of Indie films who will enjoy this one, this is a movie to avoid for the everyday moviegoer. This is the top movie for many movie fans, and you’ll ask yourself how you can get those 90 minutes of your life back. For me, the film had promise. It was building towards something good. Unfortunately, it never came close to reaching what I had hoped for, at least for me. It actually didn’t come close.
While I am not the biggest fan of foreign language films, I am the first to admit that when a foreign movie is excellent, you get to the point where you don’t even notice you are reading subtitles anymore. You become so gripped by the film that it’s not just a great foreign film you are watching… but rather a great film. However, on the flip side, when a foreign film is terrible, it tends to drag and drag and drag. Part of that reason is that you’ve tuned out the movie so much that you have no idea where you are in the film when you do glance back. As a result, it becomes a dreadful movie experience. Almost all the foreign films I watch are recommended to me. Rarely will I be perusing Netflix, seeing a movie, and adding it to my queue because it’s a “foreign movie.” I am far more likely to skip a film with subtitles than to watch it. As a result, I rarely find a foreign film to be mediocre. I usually end up either liking the movie a ton or feeling like I just wasted two hours of my life. There are, of course, exceptions to the rule, and that is precisely what Two Days, One Night is. It is a mediocre movie in every sense. It had nothing to do with it being a foreign film. Had it not had subtitles, it would have been equally mediocre.
No Escape is a combination of Behind Enemy Lines, 
Straight outta Compton and straight into the Oscar buzz. It’s early, and this movie will be forgotten by Halloween (just like most of the great films released in the first eight or nine months of each year). Still, for now, this movie is hot with audiences (over $100 million grossed in its first eight days) and critics (89% fresh on Rotten Tomatoes), like just about any other movie of the year. As I will explain in my review below, Straight Outta Compton didn’t do anything (besides the music itself) that was amazing on its own, but it did do just about everything well. I wouldn’t call it the surprise hit of the year, as many other movies flew further under the radar (