What I initially thought was nothing more than a cash grab using the Rocky moniker with the 2015 movie Creed, the Michael B. Jordan-led franchise has effectively carved out a niche in sports cinema. Dare I make the blasphemous claim that the first three Creed movies are better than the first three Rocky movies? I’m not willing to go that far, though I can confidently say that Creed III is much better than the cartoonish Rocky III, the weakest of the first four Rocky films.
Category Archives: Sports
King Richard (2021)
Go ahead and now give the Academy Award for Best Lead Actor to Will Smith (Ali, The Pursuit of Happyness). It might not be a far-off assumption as we are on the cusp of Oscar season. I would wait to hedge my bets in Vegas entirely, but it might be worth taking a flyer without knowing much about the other players who might be up for the award. Smith gives the best performance in his storied career as Richard, the father of (then) future tennis greats Venus Williams and Serena Williams in Reinaldo Marcus Green’s (Joe Bell, Monsters and Men) King Richard.
He Got Game (1998)
A few friends and I recently discussed movies we thought warranted a second watch. We debated whether a film aged like a fine wine or sour milk in the discussion. It meant if we thought a movie held up or was even deemed better years after its original release or if we didn’t believe it was all that good now when we once held it in high esteem. One of my friends said Terminator 2 aged like sour milk. Though I haven’t seen it a second time, this movie was so far ahead of its time in terms of technology back in 1991, but one I don’t doubt might be unwatchable 30 years later. The sour milk example I gave was The Great Outdoors, a movie that a 12-year-old me thought was hilarious when I watched in the theater, but one that I didn’t chuckle at once during my 2012 viewing. My example of a movie that aged like a fine wine was Apocolypse Now, a movie I didn’t necessarily love when I first saw it, but one I grew to appreciate as it and I aged. Spike Lee’s (Malcolm X, Do the Right Thing) He Got Game is a fine wine. I remember thinking it was “pretty decent” in 1998. It holds the test of time and is more applicable today, as we have seen in recent years, the sleaziness of college basketball recruiting.
The Way Back (2020)
How does one make a basketball movie in 2020 that isn’t quickly compared to Hoosiers, Coach Carter, Glory Road, and Hurricane Season, not to mention the many other films centered around a sports team facing some adverse situation? Sometimes, when you see the trailers for the first time of a movie like Gavin O’Connor’s (The Accountant, Warrior) The Way Back, you kind of grain, thinking, “Here we go again. How are we supposed to get something different from this movie?” But he was unequivocably able to do that. Admittedly, this movie could have been better in terms of its script and the conditions of its sequencing. Still, its parts made up for its, sometimes, lack of cohesiveness and left you feeling hopeful in a movie that you expected to find hope, albeit in a much different way.
Ford v Ferrari (2019)
James Mangold’s (Logan, Walk the Line) Ford v Ferrari is the perfect movie to see in the theatre. It has action. It has drama. It has a clear protagonist. It makes you want to stand up and cheer for the good guys. This racing movie is much better viewed on the big screen than on a small screen at home. Likewise, a movie theater’s surround system is a better experience than any surround system you might have at home. With that said, this movie has gotten much better acclaim (91% critics, 98% audience on Rotten Tomatoes) than it probably deserved. I haven’t seen many racecar movies, but this movie fails compared to a film like Rush. However, this is a good and highly entertaining movie.