It feels rare when the same person likes an original movie and its remake. Often, it seems like if a person likes the original, they are resistant, even disgruntled, to giving the remake a chance. I am the first to say that I fall into this group. Two of the biggest ones are the remakes of Point Break (2015 – 11% critics, 29% fresh on Rotten Tomatoes) and Flatliners (2017 – 4%, 32%), two of my all-time favorite movies. Likewise, there are times when we watch the remake without ever having seen the original. We like the remake so much that we don’t want to see the original because we either don’t feel the need or think it can be compared.
French filmmaker Julia Ducournau’s (Raw) wildly uneven yet highly ambitious Titane is a frenzied, are you able to suspend your belief, adrenalin-pumping film that is not for the faint of heart or those who don’t deal well with queasiness in their filmgoing experiences. With Rotten Tomatoes Scores of 89% (critics) and 85% (audiences), I find it ironic that I couldn’t identify ten people to whom I might recommend this film. Yet for the film purists who crave the originality that mainstream movies too often fail to deliver, you’ll find a bizarre take on humanity richly laced with stylistic metaphors in what originates as a slasher-flick before transitioning into something incredibly more intimate in its progression.
Obsessive catfishing 101. This could be the easiest way to describe the Juliette Binoche (The English Patient, Chocolat) character-driven vehicle Who You Think I Am. Adapted from the novel of the same name, Safy Nebbou (Mark of an Angel) crafts a taught romantic drama with just enough suspense and twists to keep us actively engaged as we follow Claire (Binoche) navigate her way through the very real world of catfishing.
In a year when movies have been the worst of my lifetime, I have been pleasantly surprised by the originality of the three most recent films I have seen. Jockey, A Hero, and Anders Thomas Jensen Riders of Justice gave the year a late jolt of hope that the year can amount to something more. However, it may be too late with only a dozen or so movies left to see (and even fewer than I am excited to see). Different from the first two movies, Riders of Justice, while a neat little film, won’t finish in my end-of-year top ten, which is something that I believe Jockey and A Hero will.
A Quiet Place Part II signified the return to the movie theaters following the COVID-19 pandemic. Ironically, the John Krasinski (Promised Land, Away We Go) directed sequel to 2018’s surprisingly successful A Quiet Place was tabled for its March 2020 release just before the global pandemic ravaged the world. I give movies like Tenet, News of the World, and Wonder Woman 1984 much credit for releasing their films during the year, knowing they would earn far less revenue than if they had waited. I don’t fault movies for delaying their release, but I applaud the big-budget ones that did not. While 2020 allowed more independent films to take center stage at the theaters that continued operating during the shutdown, those movies didn’t necessarily succeed. It was an abysmal year overall for movies. I did go to the theaters 10-15 times between mid-March 2020 and mid-May 2021. Except for once or twice, only a dozen or so people were at my shows.
It feels rare when the same person likes an original movie and its remake. Often, it seems like if a person likes the original, they are resistant, even disgruntled, to giving the remake a chance. I am the first to say that I fall into this group. Two of the biggest ones are the remakes of Point Break (2015 – 11% critics, 29% fresh on Rotten Tomatoes) and Flatliners (2017 – 4%, 32%), two of my all-time favorite movies. Likewise, there are times when we watch the remake without ever having seen the original. We like the remake so much that we don’t want to see the original because we either don’t feel the need or think it can be compared.
French filmmaker Julia Ducournau’s (Raw) wildly uneven yet highly ambitious Titane is a frenzied, are you able to suspend your belief, adrenalin-pumping film that is not for the faint of heart or those who don’t deal well with queasiness in their filmgoing experiences. With Rotten Tomatoes Scores of 89% (critics) and 85% (audiences), I find it ironic that I couldn’t identify ten people to whom I might recommend this film. Yet for the film purists who crave the originality that mainstream movies too often fail to deliver, you’ll find a bizarre take on humanity richly laced with stylistic metaphors in what originates as a slasher-flick before transitioning into something incredibly more intimate in its progression.
Obsessive catfishing 101. This could be the easiest way to describe the Juliette Binoche (The English Patient, 
In a year when movies have been the worst of my lifetime, I have been pleasantly surprised by the originality of the three most recent films I have seen. 
A Quiet Place Part II signified the return to the movie theaters following the COVID-19 pandemic. Ironically, the John Krasinski (