Black Mass? More like Black Mess. This movie wasn’t just a story most of us couldn’t care less about; it was boring. It reminded me of American Hustle in that it was set in the same time period; it had a fantastic cast and, most importantly, the high expectations going in. This movie wasn’t as disappointing as American Hustle was, because it didn’t have the Oscar expectations going in that American Hustle did. Nonetheless, like the Christian Bale-led movie, I expected big things from this Johnny (Finding Neverland, Chocolat) endeavor. I don’t know if this movie was trying to be a combination of The Godfather, The Departed, and Public Enemies, but it didn’t succeed beyond making Depp look like an old Jack Nicholson. I liked seeing Depp outside of the quirky roles he has been performing as of late. And while he was pretty good, the movie was brought down, in part, by how boring his character was. Unlike American Hustle, in which the performances were good (yet still overrated), the performances in Black Mass were flat. A terrific cast is wasted here. It is a disappointing movie in every sense of the word.
Category Archives: Joel Edgerton
The Gift (2015)
Joel Edgerton’s (Warrior, Exodus: Gods and Kings) The Gift is easily the surprise hit of the summer. Creepy and suspenseful, this movie is a clinic in developing characters and fully entrenching viewers in the storyline. I saw the film in a theater that was 75% full, and you could hear a pin drop during its quieter moments. Everyone was all-in on the story, and nobody seemed to know where it was headed because of the oohs and aahs at each new twist. Given its 93% “fresh” rating on Rotten Tomatoes, I did not doubt this movie would be good. However, I did not watch a preview beforehand (on purpose), nor did I know anything about the film other than what someone said the night before my viewing that they had heard it had a crazy twist.
Exodus: Gods and Kings
Exodus: Gods and Men was a movie that I thought would be great, then I thought it would be terrible, and then I thought it would be okay was one that ended up being pretty good. I am a massive fan of Christian Bale (The Dark Knight Rises, Out of the Furnace) and Ridley Scott (Alien, Gladiator). Bale has had numerous hits over the last decade. I’d say I’ve seen 13 out of his previous 15 movies that I’ve been a big fan of. Once as reliable as they come, Scott has had some misses in recent years, most notably The Counselor and Robin Hood. Both of these movies should have been great, and both underwhelmed. Even after my research, I still have almost no idea about what the plot of The Counselor was. And even though neither of these men was associated with the disaster that was Noah, that movie also had a respected actor (Russell Crowe) and director (Darren Aronofsky). It was quickly my least favorite movie of 2014. Fairly or unfairly, Noah tempered my expectations of Exodus: Gods and Men. It did not help that the Bale/Scott venture got panned by the critics (28% fresh on Rotten Tomatoes) and was equally shunned by audiences (just $65 million domestically despite a $140 million production cost). And I am not well-versed enough in the story of Moses to know how actual this movie was to the Biblical account. What I do remember is that I enjoyed this movie. It is currently my 12th favorite movie of 2014. I don’t expect it, at this point, to fall any lower than that.
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The Great Gatsby (2013)
It would be an understatement to say that Leonardo DiCaprio (Titanic, The Departed) killed it in 2013. Before his Academy Award-nominating role as Jordan Belfort in The Wolf of Wall Street, DiCaprio portrayed Jay Gatsby, one of the most legendary characters in literary history, most sincerely and intensely. It was a performance that F Scott Fitzgerald would be proud of and almost make him forget all of the other subpar attempts to recreate his work of fiction that nearly all of us have read in high school.
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Zero Dark Thirty (2012)
This review will be brief. Unfortunately, I need to be more well-versed to write a comprehensive review of this movie. I certainly can’t write one as well as a critic who reviews movies as their profession. I’m sure I can’t write one as well as somebody who knows the facts of the takedown of Osama bin Laden. Like the movie Lincoln, this movie is an important educational tool and should be seen by many, but as a vehicle of entertainment, it underwhelms. I told my friends after our viewing that I’m growing a little tired of movies being an hour or longer than they need to be. This is the case with Zero Dark Thirty. Not only was it over two and a half hours long, but it felt like it was two movies in one.
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