Roger Ebert said it best in his review of Crazy Heart about lead actor Jeff Bridges’ performance when he said, “The notion of a broke-down, boozy country singer is an archetype in pop culture. We’ve seen this story before. The difference is, Bad Blake makes us believe it happened to him.” It’s such a simple statement, but so true. Bridges (Tron, The Big Lebowski) gives the performance of his legendary career and, rightfully so, his first Academy Award win. He is the highlight of a very good, albeit flawed, movie.
Category Archives: Year of Release
Predators (2010)
My oh my, Adrien Brody, what has become of your career? Since winning the Best Actor Academy Award in 2002 for his role as Wladyslaw Szpilman in The Pianist, Brody’s career has been hit or miss. His successes were The Village (2004), the under-appreciated The Jacket (2005), and the blockbuster remake King Kong (2002). Brody has also had starring roles in such box office failures as Hollywoodland (2006 – $14.3 million box office revenue), The Darjeeling Limited (2007 – $11.7 million), Cadillac Man (2008 $8.1 million), and The Brothers Bloom (2008 – $3.5 million). In 2010, Brody had five movies set for release. Two of those films have been completed but have since been shelved. A third (The Experiment) went straight to DVD. A fourth (Splice) made just $17 million at the box office. The fifth, Predators, grossed $52 million but would have earned that money regardless of Brody’s presence.
A Clockwork Orange (1971)
It is hard to add a lot of new insight to a movie that has been reviewed thousands upon thousands of times and is liked so much that it is ranked #46 in the AFI’s Top 100 List of Greatest Movies. With that said, most reviews of A Clockwork Orange were written in 1971, when the movie was released. I watched this movie for the first time in 2011, 12 years after the death of its director, Stanley Kubrick (The Shining, Full Metal Jacket). To date, this will be the oldest movie that I have reviewed.
All Good Things (2010)
Based loosely on the true story of one of the most prolonged missing person cases in New York, Andrew Jarecki’s (Capturing the Friedmans) All Good Things tries hard to tell a story but ultimately fails to form anything meaningful or lasting. I say it is based “loosely” on a true story because this case is still an open case. As a result, this story is a wishy-washy mess based upon a jumble of fact, rumor, conjecture, and psychoanalysis. By the end of the movie, you could care less about what happens to each of the characters. You would rather just have some logical conclusion. Unfortunately, that’s not what you get. I felt myself wanting and wanting to like this movie, but I grew increasingly frustrated as the movie dragged toward its unsatisfying conclusion.
The Horseman (2008)
The Horseman is Australia’s version of Taken without the star power and filmed with a much lower budget. It stars Peter Marshall (pretty much an unknown in the United States) in his first starring role as Christian Forteski, a distraught father who goes on a killing rampage after discovering clues that have led to the death of his 20-something-year-old daughter. It’s a revenge flick, and while there isn’t anything new offered when compared to similar movies, it still holds the viewer’s attention. Some of that might have to do with an unknown cast because it was shot exclusively with handheld cameras or not produced in America. So, while you’ve seen this plot in hundreds of different movies if you can stomach the torture scenes, you’ll be entertained. And while you might not remember anything about this movie two weeks from now, you’ll remember that it did hold your interest.
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