Land, the nondescript and forgettable title of Robin Wright’s directorial debut, has a Clint Eastwood-ish trailer. If you watch any movie directed by Clint Eastwood, it makes it look like it’s a Best Picture nominee. While many of these films earn an Oscar nomination, many more (The 15:17 to Paris, J. Edgar, Hereafter, Changeling, Invictus) not only do not but aren’t even worth a watch. Land is better than those previously mentioned films, but it likely will be just as unmemorable. It is by no means a bad movie. It is, however, a dime-a-dozen movie, and it certainly did not do its enthralling trailer any justice.
Category Archives: Robin Wright
Forrest Gump (1994)
It’s hard to think that in a three-year span, Tom Hanks (Big, Saving Private Ryan) went from playing an HIV-infected, highly successful business person who, despite being sick, filed a wrongful dismissal suit against his former employer (Philadelphia) to playing a man with an IQ of 75 who you manages to involve himself in just about every major American event between 1950 and 1980 (Forrest Gump) to the lead astronaut in the suspenseful true story landing of the Apollo 13 lunar mission when, after an oxygen tank explodes, the crew experiences numerous technical issues and tension with each other and the NASA base which, in turn, threatens their survival and safe return to earth (Apollo 13). This would be a defining career for many actors had they not appeared in other movies, but this was merely a three-year span (granted his most incredible three-year span) in Hanks’ career.
Everest (2015)
I know I am in a significant minority when I review this movie, and I know many will wonder what I’m talking about. Everest just wasn’t a very good movie. I realize that many have never seen a mountain climbing movie or, worse, have only the likes of Vertical Limit to compare it to. But before I get too far into my review of Everest, let me mention a few mountain climbing movies that I would watch a dozen times again before forcing myself to watch Everest. The most notable one to me is a recent one that most people have never heard of. Depending on who you ask, it’s 2008 (or 2010) German released North Face (Nordwand). It takes a few minutes to get past the subtitles, but it’s worth it. This movie is horrifying in its detail of its climbers experiencing some of nature’s most brutal physical elements. There is also Touching the Void. There is also K2. Heck, I think I’d even put Cliffhanger up there as a more entertaining movie. And while it’s not about reaching any sort of summit, the absolute best climbing-based film is the fantastic 127 Hours, one of the best two hours you can experience with a film (side note…watch the director’s cut). But as far as Everest goes, I had extraordinarily high hopes for this film. And it disappointed on just about every level.
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Rampart (2012)
Rampart is one mess of a movie that guts by (barely) on the merits of Woody Harrelson (Natural Born Killers, Transsiberian). I can’t say it’s worth the watch because of him, but it would have been an excruciating two hours had he not been the star. Its 76% approval rating on www.rottentomatoes.com is somewhat alarming, considering how incoherent and inconsistent the script was. This was a must-see movie when I saw that it was reuniting Harrelson with director Oren Moverman. The two struck gold with Moverman’s directorial debut, 2009’s The Messenger. That movie had a purpose. It had believable drama. It had a meaningful storyline. Never did it cause you to ask yourself, “Huh?” or “What just happened?” or “How are these characters getting away with all they are getting away with?” Instead, Rampart ends up being just one jumbled, incoherent disaster.
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Moneyball (2011)
Moneyball is the true story of Oakland Athletics General Manager Billy Beane. In 2001, the Athletics advanced to the Major League Baseball American League Division Championship Game, where their opening day payroll of $33,000,000 was facing the New York Yankees and their opening day payroll of $109,000,000 in an elimination game for the right to advance to the conference championship. Instead, the Athletics lose the game and the series. It is a foregone conclusion that the team will lose its three marquee players, who are free to sign wherever they want, to bigger market cities because the team doesn’t have the money to sign the players to the massive contracts they have demanded with great statistical seasons.
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