It’s hard to think that in a three-year span, Tom Hanks (Big, Saving Private Ryan) went from playing an HIV-infected, highly successful business person who, despite being sick, filed a wrongful dismissal suit against his former employer (Philadelphia) to playing a man with an IQ of 75 who you manages to involve himself in just about every major American event between 1950 and 1980 (Forrest Gump) to the lead astronaut in the suspenseful true story landing of the Apollo 13 lunar mission when, after an oxygen tank explodes, the crew experiences numerous technical issues and tension with each other and the NASA base which, in turn, threatens their survival and safe return to earth (Apollo 13). This would be a defining career for many actors had they not appeared in other movies, but this was merely a three-year span (granted his most incredible three-year span) in Hanks’ career.
Category Archives: Fantasy
Avengers: Infinity War (2018)
Why did the Mad Titan Thanos (Josh Brolin – W., Sicario) need to grab hold of the power of the six Infinity Stones to destroy the universe? I think it’s important to understand what causes a villain to do certain actions rather than just to have a bad guy. The stronger the villain’s arc and the more we sympathize with them on any level, the more we understand and appreciate the underlying of who they are. In Avengers: Infinity War (directed by Anthony Russo and Joe Russo), we have a powerful bad guy motivated by a tortured past and willing to destroy all the good guys in the universe to atone for it. After the planet Titan is no longer inhabited, he is not allowed to prevent things from destroying it; he thinks he will prevent it. Instead, he lost his planet and everyone on it. Vowing not to let something like that happen again, he makes it his mission to balance the universe by completely wiping out half of it. But to do so, he’ll need all six of the Infinity Stones that will power his Infinity Gauntlet, allowing him to bend time, space, energy, and the laws of physics and reality.
High Life (2019)
2001: A Space Odyssey, Moon, Prometheus, The Martian, Interstellar, Life, First Man, Passengers, Solaris, Alien, Apollo 13, Gravity, it is not. Claire Denis (Chocolat, Friday Night) ambitiously ventured into outer space territory, a territory she had previously not explored, and found herself with a movie that was hard to appreciate, very difficult to enjoy, and left you with a million burning questions, most of which you would never care if they were ever answered or not. I give Denis credit for ambition, just as I gave Alex Garland credit for in Annihilation, a movie that if you enjoy, you might also enjoy High Life. But much like that movie, its plausibility was tossed out the window from the start, and its uneven semblance left you looking at your watch more than it did trying to find answers.
Annihilation (2018)
It took me two watches, some 12 months apart from one another, for me to be able to say emphatically that Alex Garland’s (Ex Machina) Annihilation isn’t a great movie. While I appreciate its ingenuity and ambition, the overall execution, delivery, and continuity could not be overlooked. For as much as I was in awe of Garland’s 2015 directorial debut, Ex Machina, I was even more disappointed with Annihilation, a movie for me that came and went as it felt, broke its own rules, left me bored at times, and hoping for more, while knowing it was never going quite to deliver. With a critics’ score of 88% but an audience score of just 66%, I am comfortable saying that, after watching it twice, some artistry I was missing made this movie so likable by those who review movies for a living. I couldn’t help but remove myself from critic mode and, even after taking off that hat, couldn’t get behind Annihilation to come close to recommending it.
Black Panther (2018)
In 2009, the Academy of Motion Picture Arts and Sciences expanded on a tradition that it had in place since 1927. It increased the number of potential Best Picture nominations from the normal five to a potential maximum of 10. It was a move to inject more blockbusters into the Oscar mix and to give movies like Avatar, Inception, and Toy Story 3 the recognition of Best Picture that they deserved. But in essence, this was The Dark Knight rule. This 2008 film most incredible superhero movie ever made, was nominated for eight Academy Awards and won two (Best Supporting Actor – Heath Ledger, Best Achievement in Sound Editing). Still, it failed to earn a Best Picture nomination. While 2008 produced five excellent Best Picture nominations (Slumdog Millionaire, Milk, The Reader, Frost/Nixon, and The Curious Case of Benjamin Button), it still felt like The Dark Knight belonged, either in addition to one of these five or as a replacement. And the Academy changed its rules after that year. Instead of the top five vote earners being selected as the nominees, if a movie received a certain threshold of votes, it would be nominated for Best Picture (up to 10 nominations). I don’t believe we’ve had 10 movies selected yet in the last decade, but we have had nine on multiple occasions. This year there were eight. And while the last decade resulted in many movies earning a Best Picture nomination that they wouldn’t have received before the rule change, the first superhero to benefit from The Dark Knight rule was Ryan Cogler’s (Fruitvale Station, Creed), Black Panther, a film that made history by becoming the first-ever superhero to receive a Best Picture nomination.