A few friends and I recently discussed movies we thought warranted a second watch. We debated whether a film aged like a fine wine or sour milk in the discussion. It meant if we thought a movie held up or was even deemed better years after its original release or if we didn’t believe it was all that good now when we once held it in high esteem. One of my friends said
Terminator 2 aged like sour milk. Though I haven’t seen it a second time, this movie was so far ahead of its time in terms of technology back in 1991, but one I don’t doubt might be unwatchable 30 years later. The sour milk example I gave was
The Great Outdoors, a movie that a 12-year-old me thought was hilarious when I watched in the theater, but one that I didn’t chuckle at once during my 2012 viewing. My example of a movie that aged like a fine wine was
Apocolypse Now, a movie I didn’t necessarily love when I first saw it, but one I grew to appreciate as it and I aged. Spike Lee’s (
Malcolm X, Do the Right Thing)
He Got Game is a fine wine. I remember thinking it was “pretty decent” in 1998. It holds the test of time and is more applicable today, as we have seen in recent years, the sleaziness of college basketball recruiting.
Continue reading He Got Game (1998) →
The Western genre is a dying one. Gone are the days of John Wayne, Clint Eastwood, et al., and the era of Westerns in the 1950s, 1960s, and 1970s. Once a staple in American cinema, those films are now few and far between. Years could pass before a good Western connects with critics and audiences alike. Unforgiven reset the standard in 1992, connecting with critics and audiences alike while earning nine Oscar nominations and taking home four, most notably for Best Picture. Others have followed. Appaloosa, Hostiles, True Grit, Tombstone, and Open Range were big-budget movies that hit the screen with reckless aggression. True Grit was the most successful with the critics (10 Oscar nominations, but no wins), but even the success of this film fails when compared to Unforgiven.
What was Denzel Washington thinking? Fresh off roles in 1998’s The Hurricane (Academy Award Winner – Lead Actor), the nationally recognized 2000’s Remember the Titans, and 2002’s 
Lester Burnham (Kevin Spacey –The Usual Suspects, Se7en) isn’t your usual man going through your typical midlife crisis. A man going through a midlife crisis might quit his job, buy a sports car, cheat on his wife, long for a life with no responsibility, or obsess compulsively over things he can’t have. But all of these things at once? Maybe. But it’s less likely for sure. Sam Mendes (
Fresh off their 2018 surprise hit I Can Only Imagine, brother directors Andrew Erwin and Jon Erwin once again explore the real-life story of a Christian rockstar (this time Jeremy Camp) and his journey through love and loss that encourages us never to give up hope even when our faith is heavily tested even in the middle of tragic circumstances.