A few friends and I recently discussed movies we thought warranted a second watch. We debated whether a film aged like a fine wine or sour milk in the discussion. It meant if we thought a movie held up or was even deemed better years after its original release or if we didn’t believe it was all that good now when we once held it in high esteem. One of my friends said Terminator 2 aged like sour milk. Though I haven’t seen it a second time, this movie was so far ahead of its time in terms of technology back in 1991, but one I don’t doubt might be unwatchable 30 years later. The sour milk example I gave was The Great Outdoors, a movie that a 12-year-old me thought was hilarious when I watched in the theater, but one that I didn’t chuckle at once during my 2012 viewing. My example of a movie that aged like a fine wine was Apocolypse Now, a movie I didn’t necessarily love when I first saw it, but one I grew to appreciate as it and I aged. Spike Lee’s (Malcolm X, Do the Right Thing) He Got Game is a fine wine. I remember thinking it was “pretty decent” in 1998. It holds the test of time and is more applicable today, as we have seen in recent years, the sleaziness of college basketball recruiting.
Category Archives: Year of Release
I Still Believe (2020)
Fresh off their 2018 surprise hit I Can Only Imagine, brother directors Andrew Erwin and Jon Erwin once again explore the real-life story of a Christian rockstar (this time Jeremy Camp) and his journey through love and loss that encourages us never to give up hope even when our faith is heavily tested even in the middle of tragic circumstances.
The Way Back (2020)
How does one make a basketball movie in 2020 that isn’t quickly compared to Hoosiers, Coach Carter, Glory Road, and Hurricane Season, not to mention the many other films centered around a sports team facing some adverse situation? Sometimes, when you see the trailers for the first time of a movie like Gavin O’Connor’s (The Accountant, Warrior) The Way Back, you kind of grain, thinking, “Here we go again. How are we supposed to get something different from this movie?” But he was unequivocably able to do that. Admittedly, this movie could have been better in terms of its script and the conditions of its sequencing. Still, its parts made up for its, sometimes, lack of cohesiveness and left you feeling hopeful in a movie that you expected to find hope, albeit in a much different way.
Dark Waters (2019)
Mark Ruffalo (Foxcatcher, Spotlight) continues to show that he is one of the more under-appreciated Hollywood heavyweights in Todd Haynes’ (Carol, Wonderstruck) new release. Dark Waters tells the true story of Cincinnati lawyer Rob Bilott’s extraordinarily long legal battle against the DuPont Chemical Company and the toxic waste it was dumping into the streams and rivers of West Virginia. This poisonous waste contributed to a high rate of cancer cases in the surrounding areas and contributed to an alarming number of deaths among cattle and other animals. The movie is exceptionally well-made. It should be seen by all as it hits on self-regulation, big business, medical disasters, and company cover-ups on such a grand scale that it seems hard to fathom as being possible in today’s world. In today’s society, there is so much scrutiny, regulation, and punishment for companies doing what DuPont did and almost escaped without punishment. Almost.
Bombshell (2019)
Based on the real-life scandal at the Fox News Channel, Jay Roach’s (Trumbo, Meet the Parents) Bombshell tells the story of the eruption that occurred when many women were exposed to a sexually harassing environment due to its chairman at the time, Roger Ailes (John Lithgow- Late Night, The Accountant). Bringing to the surface the accusations of numerous females by the head of the company, Bombshell made, at times, an uncomfortable watch. It felt unfathomable that so much of this could have occurred. However, it also seemed as if you couldn’t make up a story like this had it not been proven true.