History probably will not remember this because he missed earning an Academy Award nomination for the first performance and may again miss out on this one. Still, the physical transformation from Jake Gyllenhaal’s performance as sickly, twisted reporter Lou Bloom in 2014’s fantastically crafted Nightcrawler to the lean, mean, fighting machine Billy Hope in 2015’s Southpaw is remarkable. As people watch either or both of these movies in the future, I think they will fail to remember that he filmed these two movies back to back. But aside from how he changed the physical look of his body for each of these roles, his acting performance in each of these films might be the two best in a career that continues to hit all the right buttons, save for The Prince of Persia: The Sands of Time. I’ll first see Southpaw that the less you know in, the better off I think you will be. So if you haven’t seen it, I will list my overall score of the film here, and I would suggest not reading any more until after you’ve seen the movie or if the surprise factor isn’t something you are interested in. I will alert you when I add spoilers to this review. I would give Southpaw an overall score of 87.5/100.
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Category Archives: Year of Release
Angela’s Ashes (1999)
A couple of months ago, I found an article in Entertainment Weekly that had a list of the most depressing books ever written. And near the top of this list was Frank McCourt’s Angela’s Ashes. So, along with a list of other books I wanted to read, I went to Barnes and Noble and searched for the book. I came up empty, which surprised me because I had long thought this book was a classic and one read in English classes in many high schools. And I know I could have downloaded it or my Kindle, but I’m really about a 65%/35% reader in terms of hard copies over Kindle. And I like to read my classics as hard copies. In any case, fast-forward a month, and I go to a different Barnes and Noble looking for the book and again come up empty. So I texted my friend Sarah, and she told me I needed to check out the biography section and not the fiction/classics section. Who knew? And there it was, along with about 20 other copies of it. So I read the book over two weeks and loved it. It’s my favorite book of 2015. And, yes, I do rank my books just like I do my movies. I don’t blog about it because I watch more movies than reading books.
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Terminator Genisys (2015)
I wanted to like Terminator Genisys. I did. I know it got slammed by the critics (26% fresh on Rotten Tomatoes), but I am a fan of the franchise. I even watched Terminator Salvation (a movie that Christian Bale should never have wasted his time with) a few days prior in anticipation of this movie. I knew all about the movie’s problems. I knew that fans of the franchise would be, at the very least disappointed. I knew that many of the die-hards were upset with this movie. I had heard that it was confusing and difficult to follow. I knew that the trailer gave away the movie’s major twist. Yet I was willing to forget all of these things and held out hope that this movie could be more. I mean, this was The Terminator franchise. It couldn’t be worse than Predators, Live Free or Die Hard, or Indiana Jones and the Kingdom of the Crystal Skull, could it? Those three movies were packed full of junk (especially Indiana Jones) and should have never have been made. I am happy to report that Terminator Genisys was better than the three movies I just mentioned combined, but it was disappointing. It was action-packed. It is very, very reminiscent of Terminator 2: Judgment Day (a film that, in 1991, was so far ahead of its time in terms of CGI that it was ridiculous). It told a story that would have been good had it completely disowned the previous movies in the franchise (especially the original and Terminator 2: Judgment Day). Instead, Terminator Genisys made it appear as if the first four movies in the franchise never happened. Really? That’s the story? What would have happened if what happened didn’t happen? This is a Terminator film. Most of us don’t want to turn on our minds too much for a summer action flick like this.
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Welcome to Me (2015)
Kristin Wiig (Bridesmaids, The Skeleton Twins) got off to a bit of a late start in her movie career. Still, the hilarious Saturday Night Live alum is making up for lost time and immersing herself in as many unique roles as possible. In my opinion, the funniest female cast member in the history of SNL isn’t allowing herself to be typecast like so many of her predecessors (both male and female) by basically starring in full-length versions of the skits they performed on television. In recent years, many alumni (especially the females like Amy Poehler and Tina Fey) are establishing themselves as legit, in it for the long run actors, writers, directors, and producers. Many of the three names mentioned in this paragraph will rank the talents as 1) Fey, 2) Poehler, and 3) Wiig. I may be in the minority when I say Wiig is my favorite of the three, followed shortly by Fey. For me, while super-talented, Poehler is a distant third.
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Begin Again (2014)
Begin Again had all of the makings of a great movie. It had an all-star cast with Mark Ruffalo, Keira Knightley, Hailee Steinfeld, and Catherine Keener (in addition to Maroon 5’s Adam Levine). It had a fantastic soundtrack (with most of the songs sung by Knightley). But most importantly, it was tying itself to John Carney, screenwriter/director’s 2007 gem Once, perhaps the most incredible “musical and performing arts” movie that you’ve never heard. I started off liking this movie so much. After 30 minutes, I felt confident it would be as good as, if not better, than Once. The problem was that as believable as Once felt, this movie felt unbelievable by its third act. It was a movie that stretched so far past the idea of a feel-good story that you really couldn’t at all take it seriously. If I had to break down the three acts, I would give Act One an A, Act Two a C, and Act Three a D (based on the implausibility of not just the last act itself, but because it doesn’t effectively bring resolution to any of the issues the characters are dealing with in the first two acts of the film). This movie reminded me of August Rush, but, to be honest, I’d have to watch August Rush again to see if that’s a fair assessment. I do remember wanting to like August Rush much more than I did.
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