A tour de force with its initial viewing, Christopher Nolan’s (Dunkirk, Interstellar) mind-bending Memento felt, more than 99% of the films I watch, worthy of a second viewing. What initially captivated but confused me equally would likely enthrall me further while clearing up plot holes. It turns out that this wasn’t the case. Not only did my second watch cause me to be more uncertain of the events, their timelines, and overarching structure. It also left me feeling bored by the premise and disengaged from the story. In a way, it feels odd to say that. At the same time, the film could be more straightforward in its attempt to entertain and differentiate itself in new and unique ways. Even in the early stages of his directing career, Nolan was, for better or worse, telling his viewers that he was the most intelligent person in the room and to get used to it.
Category Archives: Guy Pearce
The Hurt Locker (2009)
“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
The Road (2009)
John Hillcoat’s (Lawless, The Proposition) The Road is the best film adaptation of a Cormac McCarthy novel. Yes, I know that this means I preferred The Road over 2007’s Academy Award-winning Best Picture No Country For Old Men. The Road is a good adaptation of McCarthy’s novel, though not a great one. The novel, with the same name, presents a desolate 2929 America where nomadic tribes scour the earth, looking for any signs of life that would allow them to sustain existence. With the animals and vegetation extinct, cannibalism is alive and prevalent, though the number of people inhabiting the earth dwindles yearly.
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Iron Man 3 (2013)
So continues other comic book franchise on the big screen. The norm these days is if a movie can make $150 million domestically, sequel after sequel will continue to be made. I understand that. It makes sense. However, it doesn’t mean I have to continue supporting the franchise even if I consider the first movie in the series awesome. I usually give the series the benefit of the doubt if I like the first one. While I loved Iron Man, Iron Man 2 could have been better. There wasn’t the same kind of wow factor. It was still an ok superhero movie, but I never felt like what I watched was anything special. Such is the case with Iron Man 3. It is a very entertaining movie, but as will be the case with the almost certain Iron Man 4, Iron Man 5, etc., that unique originality feature that comes with every first movie in a series will be eliminated. So while I appreciate that attempts to make Iron Man 2, Iron Man 3, etc., entertaining movies, I won’t have much feeling other than been there/done that. I expect I will like each new film in the series a little less than the preview. That has certainly been the case thus far.
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Lawless (2012)
Tom Hardy (The Dark Knight Rises, Warrior) is quickly establishing himself as a leading man in Hollywood. Since really coming onto the radar after 2010’s Inception, Hardy went on to win audiences over in the surprisingly good Warrior before donning a mask as Bane and becoming 2012 biggest villain in The Dark Knight Rises. In a movie full of top-notch acting, Hardy turns in the performance of his young career in John Hillcoat’s (The Road, The Proposition) Lawless.
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