Mark Mylod’s (What’s Your Number?, The Big White) The Menu is far from a movie that usually interests me. It’s exceptionally outrageously strange while still trying to come across as something meant to be believable. I’m also not much of a fan of dark humor. Films like American Psycho, This Is The End, Burn After Reading, Blazing Saddles, The Cabin in the Woods, Little Miss Sunshine, The Favourite, Birdman, In Bruges, Inglorious Bastards, The Grand Budapest Hotel, Being John Malkovich, Borat, A Simple Favor, Hail, Caesar!, Hot Fuzz, Shaun of the Dead, The Cable Guy, Jo Jo Rabbit, The Ref, Trainspotting, The Big Lebowski, Funny Games, The War of the Roses, Adaptation, Heathers, Rushmore, Death to Smoochy, Snatch, Knives Out, Observe and Report, O Brother Where Art Thou?, Game Night, or The Lobster don’t do it for me.
Category Archives: Ralph Fiennes
The Hurt Locker (2009)
“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
The Reader (2008)
There are interesting comparisons between Stephen Daldry’s (The Hours, Billy Elliot) 2008 film, The Reader, and Lone Scherfig’s 2009 film, An Education. Both movies revolve centrally around the emotions a young person feels when they capture the allure of a much older member of the opposite sex whom they find to be sexually attractive. In An Education, it is Peter Sarsgaard’s character, David, who is wooing a young and impressionable Jenny (Carey Mulligan), influencing her so much that she is willing to sacrifice her future for him. In The Reader, it is 36-year-old streetcar conductor Hanna Schmitz (Kate Winslet – Titanic, Revolutionary Road) taking a liking to 16-year-old Michael Berg (David Kross in his debut performance). I would be interested in learning if An Education was filmed before or after Scherfig had watched The Reader.