Fans of the Jason Bourne Trilogy (The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum) will, in all likelihood, enjoy The Matt Damon-less The Bourne Legacy. However, I’m wondering how many new fans this movie will attract. Director Tony Gilroy (Michael Clayton, Duplicity) repeatedly references Jason Bourne in this movie. Those looking to enter the franchise and think that this is the right time because Jeremy Renner (The Town, The Hurt Locker) is cast in the lead role instead of Damon will be disappointed if they don’t do their homework ahead of time. I would have been very frustrated watching this movie without seeing the other three first. I would have wanted to understand better what was going on. In The Bourne Legacy, Gilroy doesn’t seem interested in recapping a story that has already been told. You are out of luck if you have not seen a previous Bourne movie or need to research. Gilroy feels it’s not his job to keep you informed. For those wishing to see this movie without seeing any of the predecessors or if it has been a while since you’ve seen The Bourne Ultimatum, I suggest you visit this site first. The Bourne Legacy Primer: Five Things to Know Before Seeing the Franchise’s Latest Flick – E! Online. Even if you saw The Bourne Ultimatum the night before seeing this movie, I’d recommend checking out this link. It won’t hurt to do so.
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Category Archives: 2012
The Dark Knight Rises (2012)
Christopher Nolan’s (Inception, The Prestige) last chapter in his Batman franchise is the exciting but imperfect The Dark Knight Rises. This is an excellent movie and successfully concludes the best trilogy I’ve ever seen. However, if you go in with the idea that it will be better than The Dark Knight, you will be disappointed. With Hedge Ledger’s to die for performance as the Joker, The Dark Knight is as close to a perfect movie as you will get. It holds a place on my Top 10 Movies of All-Time list. The Dark Knight Rises is very ambitious, a little too ambitious. At 2 hours and 45 minutes, you’d think they have plenty of time to tell its story and conclude the franchise, but there is so much to the story, and rushing its development and racing to its conclusion would not have resulted in a successful movie. This is one of those movies where a review such as mine won’t persuade you to see it or not see it. You most likely have it in your head that you will either see this movie or not. So why do I write it? Because I committed myself to reviewing every film that will be on my Top 10 list at the end of the year. I am very, very confident there will not be ten other movies released in 2012 that will be better than The Dark Knight Rises.
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The Amazing Spider-Man (2012)
Many critics and audiences agree that the Andrew Garfield-led (The Social Network, Never Let Me Go) reboot of Spider-Man occurred too soon after the completion of the Toby Maguire trilogy. Because it was a given that the reboot would generate hundreds of millions of dollars on name alone, many wondered how strong of an effort there would be to tell a great story. On the other hand, an uninteresting story and poor reviews from the critics that still resulted in $200 million would have devastated superhero movies. Heck, Ryan Reynolds’ disaster The Green Lantern earned a measly 27% fresh on Rotten Tomatoes and still made $116 million at the box office. Fortunately, while there were many parallels to the Tobey franchise, this movie was much darker. This was my number one criterion going in. I just wanted it to be more adult-oriented. Some thought it was too dark, saying things like Spider-Man isn’t Batman, but as a guy in his mid-30s, I’d rather see any PG-13/R type superhero movie over a PG/PG-13 type one.Take This Waltz (2012)
I’m officially calling Michelle Williams the best actress of my generation. Some people will agree with this statement, but many more will probably disagree. I think most people would say she is a very good actress but will be more hesitant to say excellent. To call her the best is a bold statement. But that’s what she is. To those who would quickly dismiss this statement, I encourage them to explore her complete filmography. She has some gems out there that are relatively unknown. Williams is very deserving of the three Academy Award nominations she has received (Best Actress in a Leading Role – Blue Valentine 2010, My Week with Marilyn 2011, Best Actress in a Supporting Role – Brokeback Mountain 2004). It is merely a matter of time before she wins her first of many Oscars.
Rampart (2012)
Rampart is one mess of a movie that guts by (barely) on the merits of Woody Harrelson (Natural Born Killers, Transsiberian). I can’t say it’s worth the watch because of him, but it would have been an excruciating two hours had he not been the star. Its 76% approval rating on www.rottentomatoes.com is somewhat alarming, considering how incoherent and inconsistent the script was. This was a must-see movie when I saw that it was reuniting Harrelson with director Oren Moverman. The two struck gold with Moverman’s directorial debut, 2009’s The Messenger. That movie had a purpose. It had believable drama. It had a meaningful storyline. Never did it cause you to ask yourself, “Huh?” or “What just happened?” or “How are these characters getting away with all they are getting away with?” Instead, Rampart ends up being just one jumbled, incoherent disaster.
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